By Lynn Venhaus
Managing Editor
St. Charles will literally become a ghost town when actors take over the streets during “Legends and Lanterns” this weekend and next. Strange things will be happening not only in neighborhoods but on local stages this week, too.
More Halloween spirit can be found in “Evil Dead: The Musical” at Stray Dog Theatre and “The Zombies of Penzance” at New Line Theatre.
The Bard gets spooky in “Macbeth,” and Rebel and Misfits starts its third Immersive Theatre Project Oct. 24 with a preview of “Macbeth: Come Like Shadows.”
The Bard also gets stormy in “The Tempest,” a gender-swap production from St. Louis Shakespeare.
For fantasy fun, Variety Club celebrates its 10th season with “The Little Mermaid” at the Touhill.
Times, they are a-changing for women in “A Doll’s House, Part 2,” now surprising audiences at The Rep, while a punk-rock, lesbian chef holds court in “Raging Skillet at The New Jewish Theatre.
The LGBTQ community is sharing their stories in “The Coming Out Festival” from the Q Collective. The tragic hate-crime death of Matthew Shepard is explored in “The Laramie Project” at Clayton Community Theatre.
Mustard Seed Theatre offers a provocative look at sin, grief and grace in “The Last Days of Judas Iscariot,” with 13 actors portraying 27 characters.
Fun, fantasy, comedy, drama, spooky or tragic — take your pick, but Go See a Play!

Amanda Brasher rehearses “Weird” by Nicholas Pappas in The Coming Out Festival.The Coming Out Play Festival
The Q Collective
Oct. 19 and 20
Friday at 7 p.m., Saturday at 4:30 p.m. and 8 p.m.
The Monocle on Manchester in the Grove
www.theqcollective.theater
What It’s About: Six one-act plays that explore the coming out experience.
 
 
 
“A Doll’s House, Part II”
The Repertory Theatre of St. Louis
Oct. 11 – Nov. 4
Browning Mainstage, Loretto-Hilton Center
130 Edgar Roadwww.repstl.org
314-968-4925
Michael James Reed as Torvald and Photo by Peter Wochniak, ProPhotoSTL.comWhat It’s About: Lucas Hnath’s audacious sequel was written more than 135 years after Henrik Ibsen’s original. The familial drama remains a foundational piece of theater, with a still-controversial ending in which a married woman chooses to walk out on her family. But in 2017, Hnath took the themes and characters of that familiar classic and flipped them on their heads, imagining what would happen if protagonist Nora Helmer returned home 15 years after her dramatic exit.
Director: Timothy Near
Starring: Caralyn Kozlowski, Andrea Abello, Michael James Reed, Tina Johnson
Photo by John Lamb“Evil Dead: The Musical”
Stray Dog Theatre
Oct. 11 – 27
Thursday through Saturday; Added performance Wednesday, Oct. 24
Tower Grove Abbey
2336 Tennesseewww.straydogtheatre.org
314-865-1995
What It’s About: Based on the 1980s cult classic “Evil Dead” films, this campy show bursts with farce and blood. Five college kids take a trip to a remote cabin in the woods and encounter ancient evil spirits and revenge-seeking Candarian demons.
Director: Justin Been, with music direction by Jennifer Buchheit and choreography by Sam Gaitsch.
Starring: Riley Dunn, Dawn Schmid, Maria Bartolotta, Josh Douglas, Stephen Henley, Jennelle Gilreath, Kevin O’Brien, Corey Fraine and Christen Ringhausen.
Of Note: Some performances are sold out, and tickets are predicted to be limited during run. Wait lists will begin nightly at 7 p.m. (when the lobby opens) at the box office for any unclaimed seats and those will be handed out at 7:55 p.m.
The Splatter Zone is considered Signature Seating. With your purchase of a “Splatter Zone” seat you also receive an exclusive T-Shirt with just enough white space for us to create a one-of-a-kind souvenir.
Those adventurous enough to sit in the “Splatter Zone” are encouraged to dress down. Stray Dog Theatre is not responsible for property damage or loss resulting from the “Splatter Zone.”
“The Laramie Project”
Clayton Community Theatre
Oct. 11 – 21
Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m.
Washington University South Campus Theatre (old CBC high school)
314-721-9228
www.placeseveryone.org
What It’s About: Based on the true story of gay Matthew Shepard, the 21-year-old victim of a hate crime in 1998 in Laramie, Wy., “The Laramie Project” unfolds through the words of people in Laramie who were interviewed by members of Tectonic Theater Company in the 18 months following Matthew Shepard’s death (Oct. 12, 1998), creating a portrait of the community and key individuals in the aftermath of the event and as the victim’s killers were brought to trial and convicted.
Director: Jim Danek
Starring: Jim Abels, Kelly Hunter, Jack Janssen, Mark Lull, Tim Naegelin, Elizabeth Penny, Tina Renard, Lucy Sappington, Rob Tierney, Johnathon Waller, Chrissie Watkins
Of Note: This is the 20th anniversary of Matthew Shepard’s death.
In connection with its production, Clayton Community Theatre will be hosting post-show discussion of the issues raised in the play on Friday, Oct. 19. These conversations will be hosted by Denny Patterson, who has studied the Shepards, the Matthew Shepard Foundation, and their ongoing legacy.
Chris E. Ware and Jesse Munoz as Judas and Jesus. Ann K Photography“The Last Days of Judas Iscariot”
Mustard Seed Theatre
Oct. 10 – 28
Wednesday, Thursday and Saturday at 8 p.m., Sunday at 2 p.m., No Friday
Fontbonne University Fine Arts Theatre
6800 Wydown Blvd.www.mustardseedtheatre.com
Tickets: MetroTix.com
314-719-8060
What It’s About: Set in Purgatory, the trial to determine Judas’ fate is underway. A defense attorney argues that the disgraced disciple should not be damned for all time, that others are culpable in the greater scheme of things, while an overzealous prosecutor thinks a special place in hell is just fine.
A jury will decide Judas’ fate, but not before a parade of high-profile witnesses take the stand
Director: Adam Flores, resident artist
Starring: Courtney Bailey Parker, Rae Davis, Graham Emmon, Carmen Garcia, Chelsea Krenning, Erick Lindsey, Carl Overby, Chandler Spradling, Arielle Rovinsky, Rachel Tibbetts, Chris E. Ware, and Eric Dean White
Of Note: Mature/adult subject matter, language and content. Not recommended for children.
There are no Friday performances. Thursday evening performances on Oct. 18 and 25 are Pay With A Can/Pay What You Can performances.
Photo by Ann K Photography
“Legends and Lanterns”
Historic Main Street in St. Charles
Oct. 20-21, 26-28
Saturday, Oct. 20 – 11 a.m. to 6 p.m.; Sunday, Oct. 21 – noon to 5 p.m.; Friday, Oct. 26, from 5 to 8 p.m.; Saturday, Oct. 27 – 11 a.m. to 8 p.m., and Sunday, Oct. 28 – noon to 5 p.m.
What It’s About: This Halloween, St. Charles will become literally a ghost town. Historic Main Street will be invaded by a plethora of playful paranormal poltergeists from parts unknown. These notorious and infamous witches, villains, and spirits from lore and legend will unleash the magic of their enchanted lanterns to bring you eerie entertainment. But don’t worry, these friendly ghouls have more treats to offer than tricks, and they enjoy meeting “little monsters” of all ages.
Finding its inspiration from the past, Legends & Lanterns offers the vintage charm of Halloween in the 1910s-1930s, to the historical rituals and customs brought to the holiday by the Druids and Victorians, to the ethereal atmosphere depicted in American ghost stories and Brothers Grimm fairy tales.
As you explore every mysterious nook and cranny of Main Street, you’ll unearth various activities that will bring to “life” the backstories and origins of this beloved holiday, All Hallow’s Eve. It’s a little bit silly. It’s a little bit macabre. But it’s all fun.
Some of the programs include “The Legend of Sleepy Hollow,” “Writers Block: Unbound,” and “Eerie Jamboree.”
Pick-up your official Legends & Lanterns Passport at the Tourism Center (230 South Main Street), Scarecrow Glen, Hayride Locations, or Plaza del Dia de los Muertos.
The Little Mermaid presented by Variety – Children’s Charity St. Louis at Touhill at University of Missouri – St. Louis on Oct 23, 2014.“The Little Mermaid”
Variety Theatre
Thursday through Sunday, Oct. 18 – 21
Touhill Performing Arts Center
University of Missouri – St. Louis
www.touhill.org
What It’s About: Sing, dance and swim along as we follow Ariel’s journey to walk on land and find true love. Celebrating its 10th anniversary, Variety Theatre is the country’s only production of its kind. Featuring an inclusive children’s ensemble performing alongside a professional adult cast, this Broadway classic is a must-see event.
Director: Lara Teeter
Starring Terrence Mann as King Triton; Berklea Going as Ariel; David Bryan Johnson as Prince Eric; Joy Boland as Ursula: Drew Humphrey, Alan Knoll, Ian Nolting, Dustin Crumbaugh, Michael Hawkins, Chandler Ford, Will Bonfiglio, Eileen Engel, Larissa White, Whit Reichert, Corbyn Sprayberry, Dena DiGiancina, Allison Newman, Caitlin Witty, JR Pruski, Jimmy Capek and Mason Kelso.
Of Note: In 2018, Variety Theatre was awarded the “Special Award for a Body of Work” by the St. Louis Theater Circle, an honor only presented when it is felt it is truly deserved.
“Macbeth: Come Like Shadows”
Rebel and Misfits Productions
Immersive Theatre Project
Oct. 24 – Nov. 10
Wednesday through Saturday at location patrons are bused to.
www.rebelandmisfitsproductions.com
What It’s About: Dive into a shocking world and discover the heart and dark underbelly of a story that you have undoubtedly come in contact with before, but never allowed full access to the dripping heat and intimacy pulled along by its characters. This is one of Shakespeare’s boldest and most passionate plays deeply imagined.
Who are the inhabitants?  Why do their souls choose the courses they embark upon?  What is behind the door? Immerse yourself in a world of direct interaction, walk into this complexly-woven tale, wade into its unlocked depths.
Co-Directors: Kelly Hummert, Sean Patrick Higgins with Jordan Woods assisting.
Starring: Sean Patrick Higgins, Jeffrey Cummings, Spencer Sickmann, Reginald Pierre, Paul Cereghino, Shane Signorino, Kelly Hummert, Aarya Locker, Phil Leveling, Patrice Foster, Joel Antony, Hailey Medrano, Tyler Cheatem, Cynthia Pohlson, Ali Linderer, Kevin Corpuz and Jordan Woods
Of Note: We invite you to meet these characters as you never have before. Drink with them.  Dance with them.  Share your secrets with them. They will, in turn, weave you into the fabric of the action. Come and experience this high-octane, dangerous, and sexy world, where nothing is ever quite what it seems.
Pick Up Location: 1615 South Broadway, St Louis, MO 63104 (parking lot near DB’s), buses will transport the audience to and from the location.
“The Naked Magicians”The Playhouse at Westport
Oct. 19-21 (5 shows)
Tickets: MetroTix at metrotix.com or by phone at 314-534-1111. Additionally, tickets will also be available at the box office one hour prior to show time.
www.playhouseatwestport.com
What It’s About: The Naked Magicians, the world’s naughtiest and funniest magic show, strips away the top hats and capes to promise full-frontal illusions with magic, muscles and endless laughs.
Starring: Mike Tyler and Christopher Wayne, two of Australia’s most famous magicians, w who have performed in seven countries and 200+cities. “Good magicians don’t need sleeves and great magicians don’t need pants,” Tyler said.
Of Note: They are back by popular demand after their sold-out performances last year. Post-show meet-and-greet tickets for an additional $20.
The show includes coarse language, sexual references and some nudity and is intended for audiences 18+. For more information, go to www.nakedmagicians.com.
“Raging Skillet”New Jewish Theatre
Oct. 4 – 21
JCCA Wool Theatre, Creve Coeur
www.newjewishtheatre.com
What It’s About: A tasty adaptation of celebrity Chef Rossi’s autobiographical memoir, “Raging Skillet” – is equal parts book launch, cooking demonstration, heaping helping of comedy and a side of Jewish mother guilt.  When Rossi’s Jewish mother discovers the microwave, home-cooked meals become a thing of the past. What starts as a rebellion against her Orthodox parents, chauvinism in the kitchen and the pressures of conformity ends with Rossi becoming New York’s #1 punk-rock, Jewish, Lesbian caterer. This hilarious and heartfelt new comedy is based on her true-life story.
Director: Lee Anne Mathews
Starring: Sarajane Alverson as Chef Rossi, Kathleen Sitzer as her mother, and Erin Renee Roberts as DJ Skillet, sous chef and part-time DJ.
Of Note: Talkback scheduled for Oct. 18.
There is food.
“Redemption of a Dogg”
Stifel Theatre
Friday, Oct. 19, at 8 p.m.
www.stifeltheatre.com
What It’s About: Je’Carvous Johnson’s new stage play examines the internal battle one man has between preserving his lifelong legacy and losing the love of his life, when he is faced with choosing fame and fortune over faith and family. It is set against a backdrop of Snoop Dogg’s greatest hits.
“The Rocky Horror Show”
Washington University
The Performing Arts Department
Oct. 19 – 28
Friday and Saturday at 8 p.m., Sunday at 2 p.m.
Edison Theatre
314-935-6543
pad.artsci.wustl.edu
What It’s About: Cult classic rock musical. Newlyweds Brad and Janet have blown a tire. They abandon their car and stumble into Frank N Furter’s castle in Transylvania.
“Silent Sky”
Insight Theatre Company
Oct. 19 – Nov. 4
Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m.
Kranzberg Arts Center, 510 N. Grand
314 – 556-1293
www.insighttheatrecompany.com
What It’s About: When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love.
Director: Maggie Ryan
Cast: Gwen Wotawa, Henrietta Leavitt; Alex Freeman, Peter Shaw; Jennifer Theby-Quinn, Margaret; Jenni Ryan, Willamina; and Chrissy Steele – Abigail.
Of Note: The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.”
 
“The Tempest”
St. Louis Shakespeare
Oct. 12 – 21
Ivory Theatre
7620 Michigan
314-361-5664
www.stlshakespeare.org
What It’s About: A story of shipwreck and magic, “The Tempest” begins on a ship caught in a violent storm. Alonso, the king of Naples, is on board. On a nearby island, the exiled Duke of Milan, Prospero, tells his daughter, Miranda, that he has caused the storm with his magical powers.
Director: Patrick Siler
“Workers’ Opera”
Bread and Roses
Saturday, Oct. 20
Communications Workers of America Local 6300
Brunch Buffet & Performance Tickets are $20 in advance or at the door
Westport: 2258 Grissom Drive St. Louis, MO 63146
What It’s About: Written and performed by members of Service Employees International Union, Communications Workers of America, United Media Guild, Labor Engagement for the United Way, and others involved in the arts and organized labor.
Every sketch is full of good music, some history and lots of political humor featuring these workers-turned-actors.
Director: Kathryn Bentley, associate professor at SIU-Edwardsville and Artistic Director of the Black Theater Workshop. Music and script editing by Colin McLaughlin.

“The Zombies of Penzance”
New Line Theatre
Sept. 27 – Oct. 20
Thursdays through Saturdays at 8 p.m.
The Marcelle Theater
3310 Samuel Shepard Drive in Grand Arts Center
Tickets: 314-534-1111
www.newlinetheatre.com
What It’s About: The world premiere of the rock musical, “The Zombies of Penzance: At Night Come the Flesh Eaters,” is based on Gilbert and Sullivan’s “The Pirates of Penzance.”
Based on the conceit that the original draft, never seen before, was dated December 1878, Major-General Stanley is a retired zombie hunter, who doesn’t want his daughters marrying the dreaded Zombies of Penzance, for obvious reasons.
Co-Directors: Scott Miller and Mike Windsor-Dowdy. Miller has painstakingly reassembled these rediscovered materials into their original form, filling in the gaps with educated guesses based on other G&S shows and drafts. St. Louis composer and orchestrator John Gerdes is reconstructing Sullivan’s music.
Cast: Most of the cast from New Line’s public reading in January will return, with Sean Michael as Frederic, Melissa Felps as Mabel, Zachary Allen Farmer as Major-General Stanley the Zombie Hunter, Dominic Dowdy-Windsor as the Zombie King, with Mara Bollini, Kent Coffel, Robert Doyle, Matt Hill, Lindsey Jones, Tim Kaniecki, Kyle Kelesoma, Melanie Kozak, Sarah Porter, Christina Rios, and Kimi Short.
Of Note: New Line Theatre, “the bad boy of musical theatre,” opens its 28th season of adult, alternative musical theatre. New Line has shocked the music world by discovering a controversial, long-lost first draft by the legendary British team of librettist W.S. Gilbert and composer Arthur Sullivan, who together wrote 14 comic operas between 1871 and 1896.
One of the team’s best-known works, The Pirates of Penzance, originally debuted in New York in 1879, and was revived to great success in the early 1980s with Kevin Kline, Linda Ronstadt, and Rex Smith. What we now know is that there was an earlier, stranger draft of the show, which nobody knew about, with most of the same characters but a somewhat different plot.
 
 
 
 
 
 
 

By Lynn Venhaus
Managing EditorTHAT VOICE: Are you on Team Kennedy yet? If you haven’t heard Kennedy Holmes, 13, from St. Louis in her blind audition on “The Voice,” be prepared to be wowed and understand why it went viral.
Part of The Muny Kids for five years, Kennedy starred as Little Inez in the 2015 “Hairspray” production, has sung the national anthem for Cardinals’ games and appeared as one of the Cratchit children in “A Christmas Carol” at The Rep in 2016. She is an eighth grader at John Burroughs School.
Her confident delivery of Adele’s “Turning Tables,” which showcased her control and range, impressed all four judges and got a 4-chair turn – and standing ovation.
She auditioned in Indianapolis earlier this year and is the youngest person in the singing competition this season. Producers saved her for the last spot and teased her appearance in a sneak peek last week that set her schoolmates and local folks buzzing. The cliffhanger coach pick was easy to guess.
Kennedy, while remarkably poised singing, got emotional over Jennifer Hudson, and then sang with her idol in an impromptu “I Am Changing” from “Dreamgirls.”
The guys made convincing pitches.
Adam Levine: “Very, very rarely does someone come around that kind of reignites our passion for what we do. And to hear you sing today did that. Just to see that kind of confidence naturally exist in you at such a young age, it’s unheard of. After the 15 seasons, you really could become the absolute biggest thing to ever come from this show.”
Blake Shelton: “Let me be the first to thank you for coming to ‘The Voice,’ ’cause our ratings are going to shoot through the roof this evening. I think you are the best vocalist that has auditioned this year. I want you to pick me as your coach so you can teach me how to sing like that.”
After Kennedy’s pick, Hudson was ecstatic. “I think the game is over because I just won ‘The Voice’ with little Miss Kennedy. Yes, I did.”
Here’s the clip from the Blind Auditions, which started Sept. 24. To date, her audition video has been viewed 3.6 million times on YouTube.com.

This isn’t the last we’ve seen of Kennedy. It will be fun watching her progress on the national stage, next in the Knockout Rounds, then hopefully Battle Rounds and Live Performances. (And the local television and radio stations are all over it.)
***DEVIL MAY CARE: As the calendar turns autumnal, it’s time for sinister, spooky suspense. Five local theater groups have teamed up to present “Faustival: The Devils We Choose” – one in August and the rest through December.
The artistic collaboration is between Equally Represented Arts, The Midnight Company, Theatre Nuevo, SATE, and the Post-Romantics. They are presenting works on the Faust myth from the 16th century – about a scholar who sold his soul to the devil in exchange for perks.
ERA FaustIn August, ERA, along with Kid Scientist, presented “Faust (go down with all the re$t),” an experimental rock-opera-adaptation of Goethe’s most celebrated work.
Currently, The Midnight Company is presenting the one-act “An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening,” along with another one-act by Mickle Maher, “The Hunchback Variations.”
For more information, www.midnightcompany.com
In October, Theatre Nuevo will present “whither should I fly” from Oct. 25 – Nov. 10 at the William A. Kerr Foundation, 21 O’Fallon St., St. Louis. For more information, visit www.theatrenuevo.com
Starting on Halloween, “Doctor Faustus, or the Modern Prometheus” by John Wolbers and Kit Marlowe will be performed by Slightly Askew Theatre Ensemble (SATE) Wednesdays through Saturdays through Nov. 17 at The Chapel, 6238 Alexander Drive, St. Louis. For more information, www.slightlyoff.org.
The Post-Romantics will present “Doomsday Faust” Dec. 5 – 8 at the Centene Center for the Arts, 3547 Olive Street, St. Louis.
For more information, please visit faustival.org.
***MOVING ON UP: The aforementioned John Wolbers, who has adapted Faust for SATE, shared some exciting news recently. He is a new Producing Associate at the Metro Theatre Company. He has served as the full-time resident teaching artist at MTC since the 2012-2013 season. He will assist Artistic Director Julia Flood with casting, directing and production administration.
Andrew Kuhlman is Broadway bound! He is currently working in New York as a co-producer on “The Prom,” the Broadway musical comedy that begins previews on Oct. 23. Andrew, an associate producer at Stages St. Louis, made the announcement Sept. 7.
“I am beyond excited to be taking this journey with a show that I could not believe in more. I cannot wait for audiences to fall in love with this hilarious, heartfelt and energetic musical,” he said.
“The Prom” has some prominent local connections – including Jack Lane, at Stages St. Louis, as one of its producers. Lane already has two Tony Awards as part of the group behind “Fun Home” and “The Humans.”
Joe Grandy, Andrew Kuhlman of “The Prom”The show lyricist and book writer is Chad Beguelin, who grew up in Centralia, Ill. He’s a multiple Tony nominee, for book and lyrics to “The Wedding Singer” and lyrics to “Aladdin.”
The cast includes Muny favorite Beth Leavel, Tony winner for “The Drowsy Chaperone,” and Muny veterans, including St. Louis natives Drew Redington and Jack Sippel, and Fairview Heights native Joe Grandy.
***WHO’S WHO: Upstream Theater is hosting renowned director Marianne de Pury who will stage the U.S. premiere of “Chef” by UK/Egyptian playwright and poet Sabrina Mahfouz. The one-woman show, starring Linda Kennedy, opens Sept. 28 and runs through Oct. 14.
Linda Kennedy, Photo by ProPhotoSTL“Chef” is the gripping story of how one woman went from being an haute-cuisine head chef to a convicted inmate running a prison kitchen. Leading us through her world of mouth-watering dishes and heart-breaking memories, Chef questions our attitudes to food, prisoners, violence, love and hope.
Originally from the French part of Switzerland, de Pury is known for her work with the famed Open Theatre, where she composed music for “America Hurrah” and “Viet Rock.” Since those days she has directed all over the world–mostly in Germany, where her most recent work, “The Importance of Being Earnest,” was nominated as one of the year’s best productions.
Playwright Rob Urbanati came to the ‘Lou for Tesseract Theatre Company’s opening of his play, “Mama’s Boy,” which explores the relationship between a controlling mom and her son, who gained infamy as the assassin of President John F. Kennedy.
Here he is with the cast after Friday night’s show. They got our attention opening night at the .Zack, conveying a roller-coaster of emotions played out in historical context.
Urbanati, of New York City, is a playwright, screenwriter, book author, director, and director of new play development at Queens Theatre in the Park. His well-constructed 2015 drama is a fascinating exploration of family dynamics. It’s directed by Brad Schwartz.
From left: Jeremy Goldmeier (Robert Oswald), Brandon Atkins (Lee Harvey Oswald), playwright Rob Urbanati, Donna Parrone (Marguerite Oswald) and Carly Uding (Marina Oswald).
Lynn Venhaus photo***AROUND TOWN: Alas, the Stephen Sondheim appearance in St. Louis Oct. 4 is sold out. He is accepting the 2018 St. Louis Literary Award from the Saint Louis University Library Associates for being one of the most eminent lyricists and composers of the modern era.
He is the first musical lyricist to win the award since its inception in 1967. In a remarkable career spanning 70 years, Sondheim has written the lyrics, music —or both, for some of the most iconic and long running plays in the history of American theater.
The response was overwhelming, and all seats in the Sheldon Concert Hall and the simulcast viewing room have been reserved. During the event, which begins at 7 p.m., Mike Isaacson, executive producer and artistic director – and major Sondheim fan – will interview him on stage.
Three-time Tony Award winner “Avenue Q” has been extended three more weeks for its winter presentation at the Playhouse @ Westport.
Because of overwhelming ticket response, the “furry, funny and feel-good musical” will now run Jan. 25 – March 3. The cast is a combo of local and touring performers.
Another famous St. Louisan, poet, novelist and playwright A.E. Hotchner, an alumnus of Washington University, has endowed an annual Playwriting Festival. Three new works will be presented this weekend (Sept. 28 and 29) – “Tom and Grace” by Scott Greenberg, “Arriving At” by Ike Butler on Saturday at 2 p.m. and “Florida” by Lucas Marschke at 7 p.m. The guest dramaturg is Michele Volansky, chair of the drama department at Washington College in Maryland. The event is sponsored by Newman’s Own Foundation. For more information, visit: pad.artsci.wustl.edu.
The Stage Left Grille is now under Fox Management, so you can stop there for a bite to eat before a show at the Fox Theatre, the Kranzberg Arts Center or The Grandel, or any place in the Grand Arts Center.
“Confessions of a Nightingale,” a production from the Tennessee Williams Festival set for Nov. 1-4, has to be postponed until 2019.
***CHAMPAGNE & MOONSHINE: If you saw “Always, Patsy Cline” at Stages St. Louis in 2014 or at The Playhouse at Westport the following year, you must remember Jacqueline Petroccia as the star. A national sensation in that role, I recall that her velvety voice was “like butter.” She has released a debut solo album, the double EP “Champagne and Moonshine,” Collaborators on the album include musician royalty from Music City, including members of the Nashville Symphony, the award-winning Rascal Flatts, and Broadway Musician Brent Frederick.
Recorded live, with special permission, at the legendary and historic Quonset Hut on Music Row in Nashville, Tenn.,the album is available online through CD Baby (physical copy), Amazon, and iTunes.
The first EP, “Champagne,” features a big band sound appropriate for any ballroom or supper club, including an original arrangement mix “Crazy/Crazy He Calls Me,” and “Mambo Italiano.” The second EP, “Moonshine,” features new country music hits, and her original debut single “Your Name in Lights,” written by Brandon Hood, Hillary Lee Lindsey, and Troy Verges
Her other stage credits include the national tours of :The Producers,” “The Sound of Music” and “Fiddler on the Roof.” She was a featured soloist on the album “Where the Sky Ends” by Michael Mott (Broadway Records) and has appeared on “Prairie Home Companion,” featured with the Williamsburg Swing Orchestra and in her solo cabaret show Sometimes Patsy Cline (productions at 54 Below and Regional Theatres). More information can be found at JacquelinePetroccia.com
***YOU GO GLEN COCO: “Is butter a carb? Whatever, I’m having cheese fries.”
Wednesday, Oct. 3, is unofficially known as National Mean Girls Day, so imaginative Chef Liz of Tenacious Eats has created a fun event for the evening. Tickets are $35 and include a Mean Girls-inspired cocktail, entree and Kalteen Protein Bar for dessert.
Expect some “fetch” prizes if you can answer some Mean Girls trivia and photo ops will be available with a Lindsay Lohan lookalike. Costumes are encouraged, and it is on a Wednesday, so you might want to wear pink!
The Tina Fey movie will be shown at 7 p.m. on the big screen at the West End Grill & Pub, 354 N. Boyle. Doors open at 6 p.m. for pre-show fun, Mean Girls trivia, prizes and photo ops. Tickets are available at: www.BrownPaperTickets.com.
***WORD: Decoding Theatre Reviews – a must-read: http://exeuntmagazine.com/features/theatre-reviews-decoded/
***GO SEE A PLAY POLL: Who are your favorite moms in musicals? Answer our poll and you will be entered in our drawing for two tickets to “One Funny Mother” at the Playhouse @ Westport Plaza on Wednesday, Oct. 3, at 8 p.m.
Dena Blizzard, former Miss New JerseyHilarious Dena Blizzard, best known as “The Target Mom,” is a viral sensation and former Miss New Jersey. Her one-woman show puts the fun in domestic dysfunction.
FAVORITE MOM IN MUSICALS:Mae Peterson in “Bye, Bye Birdie”Margaret Smith in “Carrie”“Big Edie” Edith Ewing Bouvier Beale in “Grey Gardens”Edna Turnblad in “Hairspray”The Witch in “Into the Woods”Lady Thiang in “The King and I”Margaret Johnson in “The Light in the Piazza”
Send your pick to: lynnvenhaus@gmail.com by Monday, Oct. 1, at noon. Winner will be notified soon after, and arrangements will be made for your tickets to be waiting for you at the box office.
Our last winner was Christopher Strawhun for “Oklahoma!” at Stages St. Louis.
***TRIVIA TIME-OUT: Let’s hear it for St. Louis native Chris Redd and longest-ever SNL cast member Kenan Thompson on their Emmy win for Outstanding Original Music and Lyrics for “Come Back, Barack,” a Boyz II Men-style parody from last November’s episode hosted by Chance the Rapper.

Q: Despite multiple nominations, SNL has won only once before, for what song?
Justin Timberlake and Andy Samburg’s collaboration, “D**k in a Box.”
Fun fact: Theme songs also count for the award. “Moonlighting,” “Cheers,” “Chico and the Man,” “Growing Pains” and “Police Woman” have won.
Chris Redd didn’t live in St. Louis long and moved to Chicago as a youth. He is back at “Saturday Night Live” for his second season, which starts this Saturday, with host Adam Driver and musical guest Kanye West.
***
Tips? Contact: lynnvenhaus@gmail.com

By Lynn Venhaus
Managing Editor
RISING STARS: Seeing talented teenagers passionately follow their dreams is such a thrill. The Fox Performing Arts Charitable Foundation is ahead of the game, for it fosters, promotes, and encourages young people in the St. Louis region to discover and participate in the joy and wonder of live performances.
Besides the St. Louis Teen Talent Competition, the Fox Performing Arts Charitable Foundation also produces a variety of other performing arts programs that focus on youth including Kids’ Night at the Fabulous Fox, Broadway Master Classes, Educational Encores, and is a producing partner of the 2nd Annual St. Louis High School Musical Theatre Awards.
This Sunday, they are sponsoring a free event that will feature 25 entertainment acts, including finalists from the 8th Annual St. Louis Teen Talent Competition and nomineees from the 2nd Annual St. Louis High School Musical Theatre Awards:

The High Schooll Musical Theatre Awards representatives include: Outstanding Lead Actress winner Maggie Kuntz and nominees Paige Terch. Meg Gorton and  Sydney Jones
Outstanding Lead Actor nominees Tony Merritt and Jared Goudsmit.
Outstanding Supporting Actress nominees Annelise Laakko, Natalie Brown and Haley Driver.
The Teen Talent Showcase representatives include pianists John Yanev and Robyne Sieh, singers Morgan Taylor, Josh Royal, Bennett English and Jennifer Ferry; dancers Arielle Adams, De’Jai Walker, Madison Alexander, Megan Mayer, Brooke Reese, Hillary Zgonina, Kelsey Carnes and DessaRae Lampkins; alto sax player Kameron Huff and TBD (Lilliana Matthews, Aaron Moore, Everett Remstedt, Allan Stacy and Jalen Thompson.
The Rising Stars Showcase featuring the Stars of Tomorrow will take place on Sunday, Aug. 5, at 2 p.m. at The Sheldon Concert Hall, 3648 Washington Blvd., St. Louis. Admission is free and it is open to the public. For more information, visit: www.foxpacf.org.
 
Photo Maggie Kuntz, Dolly Levi in Cor Jesu’s “Hello,Dolly!” She went on to compete in the National Jimmy Awards.
***
EXPLORE ST. LOUIS:  St. Louis will be rolling out the red carpet when throngs come to the city for the 100th PGA Championship Aug. 6 – 12 at the Bellerive Country Club.
Have you seen the four commercials that award-winning actor and St. Louis native Sterling K. Brown has done for the St. Louis Visitors and Convention Bureau? The 30-second segments are “Arch,” “Blues,” “Family Fun” and “Neighborhoods.”

Local actor, playwright and theater booster Stephen Peirick played Merriwether to Matt Lindhardt’s Lewis in the “Arch” commercial. He said Sterling was kind and introduced himself before they started working on the spot.
If you want to see the commercials or find out more about what’s happening here in August, check out www.explorestl.com.
 
***
GO SEE A PLAY POLL: Meet at the Muny for “Meet Me in St. Louis,” the finale of the Muny’s Centennial Season! Those who send in their choice in the poll will be placed in a drawing for two tickets to any performance of “Meet Me in St. Louis” from Aug. 4 – 12 at the Muny in Forest Park.
“Meet Me in St. Louis” was a 1944 MGM movie before it was adapted as a stage musical in 1989, although the Muny presented it before that.in the 1960s and ’70s.
This 2018 production will feature a revised book by Gordon Greenberg and new orchestrations by John McDaniel is the first since 2009, and the eighth overall.
McDaniel, a Grammy, Tony and Emmy-winning producer, composer, conductor and pianist is from St. Louis. He was Rosie O’Donnell’s talk show bandleader from 1996 to 2002, and has worked with the Muny before, on the 2012 “Pirates!”
Poll Question for Ticket Drawing: What is your favorite movie that either takes place in St. Louis or was shot in St. Louis?
“The Game of Their Lives”“The Great St. Louis Bank Robbery”“King of the Hill”“Meet Me in St. Louis”“Up in the Air”“White Palace”
Send your selection by email to: lynnvenhaus@gmail.com by 10 p.m. Friday, Aug. 3. Please include your phone number. The winner will be notified, and arrangements will be made with the Muny for the night you choose.
Our July 28 poll winner was Robert Kapeller of St. Louis. He won two tickets to “Evita” at The Rep on Sept. 7. As for the favorite girlfriends musical, “Wicked” won in a landslide.
***
DOWN MEMORY LANE: The first time I saw the movie “Meet Me in St. Louis” was at a free showing at the downtown Famous Barr department store the summer of 1974. They had special events and exhibits in honor of the 70th anniversary of the World’s Fair in St. Louis and showed the movie for free in their ninth floor exhibition hall. (That’s what was transformed into the holiday world extravaganza at Christmastime.) At the movie, they sold specially-priced iced tea and hot dogs, two refreshments who made their debut in 1904.
Sally Benson’s “Kensington Stories” was the basis for the movie, and her family lived at 5135 Kensington in north St. Louis city. The house is long-gone but this is what it once looked like, pictured at left.
***
 
 
TRIVIA TIME-OUT: Forty years ago, the first National Lampoon movie, “Animal House” premiered. This groundbreaking movie first shown on July 28, 1978 spawned many knockoffs and launched the careers of many young stars, including the first film by SNL breakthrough John Belushi. (And is very helpful in the “Six Degrees of Kevin Bacon” game).
Question: Who are the two people associated with the movie that have a local connection?
Answer: Writer Harold Ramis attended Washington University, Class of 1966, and used his college days as a member of Zeta Beta Tau for inspiration. He would go on to fame as a writer, actor (“Ghostbusters”) and director (“Groundhog Day”), and returned to his roots here. He served two terms on the Washington University board of trustees and was master of ceremonies for Homecoming in 1984. Here is a 1979 photo of him back in a Wash U frathouse.

Karen Allen, who played Katy, was born in Carrollton, Ill. Her mother was from Jerseyville and her father from Roodhouse, and she spent summers visiting her grandparents in Jersey County after his FBI work took them to other cities for her first 10 years. Her father went to Washington University after her parents married; they met at Illinois College in Jacksonville.
I interviewed the delightful and very active Allen two years ago when she was being honored by the St. Louis International Film Festival. She said she enjoys seeing cast members at film reunion events.

At left she is shown with Peter Riegert. “Animal House” was her first movie.
To read more about her life, here is my feature in the Belleville News-Democrat. https://www.bnd.com/living/magazine/article114225998.html
***WORD: Wise advice from the late great screenwriter, actor and director Harold Ramis:
“There’s a great rabbinical motto that says you start each day with a note in each pocket. One note says, “The world was created for you today,” and the other note says, “I’m a speck of dust in a meaningless universe,” and you have to balance both things.”
“No one will laugh at how great things are for somebody.”
“My only conclusion about structure is that nothing works if you don’t have interesting characters and a good story to tell.”
― Harold Ramis (1944 – 2014)
***
WINNERS CIRCLE: Cinema St. Louis handed out awards for the St. Louis Filmmakers Showcase on July 22. This year’s event featured 107 films, and some advanced to the 27th annual St. Louis International Film Festival Nov. 1 – 11. These are the juried award winners that were written, directed, edited, or produced by St. Louis residents or films with strong local ties.
DOCUMENTARIES
Best Use of Music: Busking on the Wagon, Randy Shinn and Drew Gowran
Best Sound: Such and Such, Cory Byers
Best Editing: Gateway Sound, Justin Fisher and Patrick Lawrence
Best Cinematography: Lingua Francas, David Christopher Pitt
Best Local Subject: The Man Behind the Merferds, Phil Berwick
Best Direction: Lisa Boyd, An American Tragedy
Best Documentary Short: For a Better Life, Yasmin Mistry
Best Documentary Feature: Gateway Sound, Justin Fisher
EXPERIMENTAL
Best Experimental Film: Passages in Revisiting: I Hear Someone Playing Urheen, Xinyue Deng
NARRATIVES
Best Costumes: Shutter, Nancy Eppert and Maude Vintage
Best Makeup/Hairstyling: East Plains: Get Out!, Jessica Dana
Best Use of Music: The Wedding Song, Ben Stanton, Thia Schuessler and Will Dickerson
Best Sound: Strings, Ross Mercer, Ryan Kneezle and Theo Lodato
Best Production Design/Art Direction: Parallel Chords, Gypsi Pate
Best Special/Visual Effects: Dawn of Man, Vlad Sarkisov
Best Editing: MLM, Benjamin Dewhurst
Best Cinematography: Parallel Chords, Kyle Krupinksi
Best Screenplay: Foxes, Tristan Taylor and Garrick BernardBest Actor: Ayinde Howell, Foxes
Best Actress: Jackie Kelly, Mother of Calamity
Best Direction: Richard Louis Ulrich, Steve
Best Animated Film: Tiffanys, Caitlin Chiusano, Sean Esser and Zhara Honore
Best Comedy: Cabin Killer, Michael Rich
Best Drama: Saint Sinner, Brian Cooksey
Best Narrative Short: Foxes, Tristan Taylor
Best Narrative Feature: Parallel Chords, Catherine Dudley-Rose
To see the list of films selected for SLIFF, visit www.cinemastlouis.org
Pictured are Best Actor Aynde Howell of “Foxes” and Best Actress Jackie Kelly of “Mother of Calamity” on the Showcase program.
***
Have any tidbits for the column? Please contact Lynn Venhaus at: lynnvenhaus@gmail.com.
Featured photo of ‘Meet Me in St. Louis” from Tams-Witmark. Harold Ramis photos from Washington University archives.