On Friday, The Muny celebrated the successful completion of its Second Century Capital Campaign, raising over $100 million securing the future of the historic theatre in Forest Park. A lively garden party welcomed invited guests to the new donor plaza and dedication of the donor wall commemorating the contributions of the community. Last November, Steward Family Foundation and The Centene Charitable Foundation provided the lead gifts from the closing group of donors.
“The Muny is a cultural pillar in this community—serving as a home for celebration, entertainment, commonality and opportunity. The team boldly embarked on a campaign to ensure its future for generations with the faith that realizing this goal would be possible. Steward Family Foundation is proud to share our blessing and bring to fruition all that the future of The Muny promises,” said David Steward, Founder and Chairman of World Wide Technology.”
“The realization of this campaign goal guarantees that the tradition of musical theatre for and by the people of St. Louis will remain for generations yet to be born. It allows us to continue to evolve both our physical campus and the scope of opportunity and experience we provide,” said Muny President & CEO Kwofe Coleman. “I am immensely grateful to everyone whose work and leadership made this possible and to the generous donors who have made our future a reality. On behalf of The Muny, thank you.
“This is a historic and monumental accomplishment for this theatre and our community,” said Muny Artistic Director and Executive Producer Mike Isaacson. “The $100 Million goal – dream, really – was wildly ambitious and unprecedented. Because of the hard work, faith and generosity of so many, The Muny can continue to be “Alone In Its Greatness.”
“Reaching our $100 million goal was extremely important to me. Knowing that the final $10 million included gifts to honor my retirement was more than heartwarming. I’m proud, not only of the work we did but also of what this campaign has done and will make possible for The Muny for years to come.” said Muny President Emeritus Denny Reagan.
“Throughout this campaign, we have seen incredible generosity on full display and this successful final push to the goal was a remarkable testament of our community’s love for the theatre’s history and an investment in its future.” said Board and Campaign Chair Jim Turley. “It was also important to all of us that we completed this campaign in time to honor the unbelievable amount of work Denny put into the campaign and to recognize the legacy of excellence and stability he established.”
In addition to Steward Family Foundation and The Centene Charitable Foundation, the final group of gifts included support from the Bardol Chervitz Families, the Coleman Family, Donald Fassold, the Finerty Family Foundation, David Hogan, Mike Isaacson & Joe Ortmeyer, the Johnston Family Fund, Tim & Elizabeth Kertz, Ned & Sally Lemkemeier, Mr. & Mrs. William Scheffel and Mary & Joseph Stieven.
Launched in 2018 during The Muny’s centennial season, the Second Century Capital Campaign was a $100 million fundraising effort to fund major capital improvements including a complete rebuild of the Muny stage, the support, maintenance and upkeep of its 11.5-acre campus, and to build the theatre’s endowment, which supports The Muny’s ever-growing education and outreach programs. The endowment not only ensures a future of financial accessibility for The Muny’s community programs but also allows the outdoor theatre to respond to unforeseen events.
Transformational leadership gifts of $20 million made by Mr. & Mrs. James S. McDonnell III, and the Enterprise Holdings Foundation and the Taylor & Kindle families top an extensive list of supporters including the closing group announced above.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Muny announced today that Ben Davis, Carmen Cusack and Robert Cuccioli, will star in the musical thriller, Sweeney Todd: The Demon Barber of Fleet Street, July 16-22, 2022.
The Muny Premiere is directed by Rob Ruggiero, with musical staging by associate director Jessica Hartman, music direction by James Moore and Michael Horsley serving as associate music director. Sweeney Todd: The Demon Barber of Fleet Street is proudly sponsored by Missouri Lottery.
“These extraordinary artists in these iconic roles will be thrilling,” said Muny Artistic Director and Executive Producer Mike Isaacson. “I cannot wait to see them our Muny premiere of this musical masterpiece.”
Ben Davis
BEN DAVIS (Sweeney Todd) Muny: 1776, Guys and Dolls, Jesus Christ Superstar, Oklahoma!; Spamalot and South Pacific.
Tony Honor (Ensemble) for his work in Baz Luhrmann’s Broadway production of La Bohème (Marcello).
NYC: Lady in the Dark (NY City Center Encores!), Call Me Madam opposite Carmen Cusack, Dear Evan Hansen, Violet, A Little Night Music, Les Misérables and Thoroughly Modern Millie.
National tour: The Sound of Music and Spamalot. Other favorites include Kiss Me, Kate for the BBC at London’s Royal Albert Hall and Kurt Weill’s Knickerbocker Holiday opposite Kelli O’Hara and Victor Garber at Lincoln Center (recorded live) and in concert opposite Ms. O’Hara with Ted Sperling.
TV/Film: NBC’s Annie Live!; Chicago Fire, Law & Order: SVU; Woman in the Window, Boogie, The Magic Flute (directed by Kenneth Branagh), A Hand of Bridge, Blue Bloods, 30 Rock and Numb3rs.
Concerts: Philly Pops, RTÉ Orchestra, Tanglewood, Caramoor and many others.
Davis has been nominated for three St. Louis Theater Circle Awards — for “South Pacific,” “Oklahoma” and “Jesus Christ, Superstar.” at the Muny.
Carmen Cusack
CARMEN CUSACK (Mrs. Lovett) Broadway: Steve Martin and Edie Brickell’s Bright Star (Tony Award nomination), Flying Over Sunset (Clare Boothe Luce).
Streaming/Film: Facebook series, Sorry For Your Loss (recurring opposite Janet McTeer and Elizabeth Olsen), TriStar’s A Beautiful Day in the Neighborhood (opposite Tom Hanks).
Cusack studied opera at the University of North Texas, which gave her its first honorary baccalaureate degree in 2018
ROBERT CUCCIOLI (Judge Turpin) Muny: 42nd Street. Broadway: Jekyll & Hyde (Tony Award nomination, Drama Desk, Outer Critics Circle, FANY and Chicago’s Joseph Jefferson Awards), Les Misérables and Spider-Man: Turn Off the Dark.
Some favorite off-Broadway credits include A Touch of the Poet, The White Devil, Caesar and Cleopatra (Caesar), And the World Goes ‘Round (Outer Critics Circle Award), Rothschild & Sons (London’s Offie nomination), Jacques Brel is Alive and Well and Living in Paris and White Guy on The Bus.
Robert Cuccioli
Robert has performed at such notable regional theatres as The Guthrie, Paper Mill Playhouse, The Shakespeare Theatre of NJ, Shakespeare Theatre Company (Lorenzaccio, Helen Hayes nomination), McCarter Theatre Center, George Street Playhouse, Ford’s Theatre (1776, Helen Hayes nomination).
Television: The Sinner, Elementary, White Collar, Sliders, Baywatch, Guiding Light. Film: Celebrity, The Stranger, The Rest of Us, Impossible Monsters, Columbus on Trial.
About the show: The Broadway legend and American musical masterpiece makes its Muny debut. Set in 19th century London, Sweeney Todd: The Demon Barber of Fleet Street has captivated audiences around the world with its murderous melodies and a haunting tale of love, revenge and hilarious mayhem.
Considered to be one of composer Stephen Sondheim’s greatest showpieces, this eight-time Tony Award-winning musical offers both thrills and laughs and is guaranteed to be an unforgettable night at The Muny.
The Telsey Office is the official casting partner for The Muny. Full casting will be announced at a later date.
The Muny’s 2022 Season includes Chicago (June 13-19), Lerner and Loewe’s Camelot (June 22-28), Disney and Cameron Macintosh’s Mary Poppins (July 5-13), Sweeney Todd: The Demon Barber of Fleet Street (July 16-22), Legally Blonde, The Musical (July 25-31), The Color Purple (August 3-9) and Joseph and the Amazing Technicolor Dreamcoat (August 12-18).
Season tickets are currently on sale. Single tickets will be available beginning May 23. Muny gift cards for the 104th season are now available online and at The Muny Box Office. For more information, visit muny.org or call (314) 361-1900
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Muny, the St. Louis Shakespeare Festival and The Midnight Company, with nine, eight and six awards, respectively, led the way at the 2022 St. Louis Theater Circle Awards, which were held in a virtual, streaming ceremony on HEC Media on Monday, March 28, 2022.
The Muny’s 2021 production of “Chicago,” which returns to open its 2022 season, took top honors for an individual show with seven awards. Denis Jones, director and choreographer of “Chicago,” and Joe Hanrahan, artistic director of The Midnight Company, each was honored with two individual awards to lead all honorees.
Nominees in more than 30 categories vied for honors covering comedies, dramas, musicals and operas produced by local professional theater and opera companies in the combined calendar years of 2020 and 2021.
Because the coronavirus pandemic brought about the cancellation of so many productions by nearly all local professional theater companies, approximately 75 productions were considered for nominations for the combined years of 2020 and 2021. This compares to roughly 120 to 130 productions normally considered in one year alone.
The eighth annual award ceremony, which was to have been held ‘live’ at the Loretto-Hilton Center on the campus of Webster University, was canceled in February 2020 due to the escalating number of cases of COVID-19. Instead, that event was held virtually in a highly polished presentation produced by HEC Media and streamed on HEC’s YouTube channel, Facebook page and web site, as was this ninth annual event. There was no ceremony of any type by the Theater Circle in 2021.
For the ninth annual ceremony, members of the St. Louis Theater Circle considered nominees from shows produced in the first three months of 2020 and the last eight months of 2021 combined. In addition, a few shows produced between April 2020 and May 2021 were included.
The winners for the ninth annual St. Louis Theater Circle Awards are:
Michelle Hand and Nicole Angeli in “It Is Magic”
Outstanding Supporting Performer in a Comedy, Female or Non-Binary Role
Nicole Angeli, “It Is Magic,” The Midnight Company
Outstanding Supporting Performer in a Comedy, Male or Non-Binary Role (Tie)
Joe Hanrahan, “It Is Magic,” The Midnight Company
Carl Overly, Jr., “It Is Magic,” The Midnight Company
Outstanding Leading Performer in a Comedy, Female or Non-Binary Role
Ellie Schwetye, “Tinsel Town,” The Midnight Company
Outstanding Leading Performer in a Comedy, Male or Non-Binary Role
Adam Flores, “The Thanksgiving Play,” Repertory Theatre of St. Louis
Outstanding Lighting Design in a Play
Seth Reiser, “A Christmas Carol,” Repertory Theatre of St. Louis
Outstanding Sound Design
David R. Molina, “King Lear,” St. Louis Shakespeare Festival
“Dress the Part”
Outstanding Costume Design in a Play
Christina Leinecke, “Dress the Part,” St. Louis Shakespeare Festival
Outstanding Set Design in a Play
Margery and Peter Spack, “The Ville: Avengeance,” St. Louis Shakespeare Festival
Outstanding Supporting Performer in a Drama, Female or Non-Binary Role
Elizabeth Teeter, “The Glass Menagerie,” Tennessee Williams Festival St. Louis
Outstanding Supporting Performer in a Drama, Male or Non-Binary Role
Brian McKinley, “Spell #7,” The Black Rep
Outstanding Leading Performer in a Drama, Female or Non-Binary Role
Laurie McConnell, “Annapurna,” St. Louis Actors’ Studio
Outstanding Leading Performer in a Drama, Male or Non-Binary Role
Andre De Shields, “King Lear,” St. Louis Shakespeare Festival
Outstanding New Play
“Tinsel Town,” by Joe Hanrahan, The Midnight Company
“Tinsel Town” by Joe Hanrahan
Outstanding Achievement in Opera
Patricia Racette, “La voix humaine,” Opera Theatre of St. Louis
Outstanding Production of an Opera
“Gianni Schicchi,” Opera Theatre of St. Louis
Outstanding Musical Director
Charlie Alterman, “Chicago,” The Muny
Outstanding Choreographer
Denis Jones,“Chicago,” The Muny
Smokey Joe’s Cafe
Outstanding Supporting Performer in a Musical, Female or Non-Binary Role
Natascia Diaz, “On Your Feet!,” The Muny
Outstanding Supporting Performer in a Musical, Male or Non-Binary Role
Adam Heller, “Chicago,” The Muny
Outstanding Lighting Design in a Musical
Sean M. Savoie, “Jersey Boys,” Stages St. Louis
Outstanding Set Design in a Musical
Edward E. Haynes Jr. and Kevan Loney, “Smokey Joe’s Café,” The Muny
Outstanding Costume Design in a Musical
Emily Rebholz, “Chicago,” The Muny
Diana DeGarmo “Always…Patsy Cline”
Outstanding Leading Performer in a Musical, Female or Non-Binary Role
Diana DeGarmo, “Always…Patsy Cline,” Stages St. Louis
Outstanding Leading Performer in a Musical, Male or Non-Binary Role
Christopher Kale Jones, “Jersey Boys,” Stages St. Louis
Outstanding Ensemble in a Comedy (Tie)
“Dress the Part,” St. Louis Shakespeare Festival
“It Is Magic,” The Midnight Company
Outstanding Ensemble in a Drama
“Two Trains Running,” The Black Rep
Outstanding Ensemble in a Musical
“Chicago,” The Muny
Outstanding Director of a Comedy
GQ and JQ, “Dress the Part,” St. Louis Shakespeare Festival
Outstanding Director of a Drama
Carl Cofield, “King Lear,” St. Louis Shakespeare Festival
Two Trains Running
Outstanding Director of a Musical
Denis Jones, “Chicago,” The Muny
Outstanding Production of a Comedy
“Dress the Part,” St. Louis Shakespeare Festival
Outstanding Production of a Drama
“Two Trains Running,” The Black Rep
Outstanding Production of a Musical
“Chicago,” The Muny
In addition, arts philanthropists Nancy and Ken Kranzberg were honored with a special award which was originally presented at the 2020 in-person ceremony. Michael Hamilton and Jack Lane, co-founders of Stages St. Louis and the troupe’s recently retired artistic director and executive producer, respectively, were honored as well for their body of work. The Kranzbergs and Lane each gave a recorded acceptance speech during the virtual ceremony.
The mission of the St. Louis Theater Circle is simple: To honor outstanding achievement in St. Louis professional theater. Other cities around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and Washington, D.C., pay tribute to their own local theatrical productions with similar awards programs.
Andre DeShields in “King Lear”
Members of the St. Louis Theater Circle include Steve Allen (stagedoorstl.com); Mark Bretz (LadueNews); Bob Cohn (St. Louis Jewish Light); Tina Farmer (KDHX); Michelle Kenyon (snoopstheatrethoughts.com); Gerry Kowarsky (Two on the Aisle, HEC Media); Chuck Lavazzi (KDHX); Rob Levy (Broadwayworld.com); Judith Newmark (judyacttwo.com); Ann Lemons Pollack (stlouiseats.typepad.com); Lynn Venhaus (PopLifeSTL.com); Bob Wilcox (Two on theAisle, HEC Media); and Calvin Wilson (St. Louis Post-Dispatch). Eleanor Mullin, local performer and arts supporter, is group administrator.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Muny season tickets for its 2022 summer season will be available beginning Monday, March 21. Tickets can be purchased online at muny.org, by phone at (314) 361-1900, or in person at The Muny Box Office, open 9am-5pm, Monday through Friday. The Muny continues to be St. Louis’ destination for summer musicals, celebrating 104 seasons in Forest Park this summer.
The 2022 season includes two Muny premieres and the return of Broadway favorites. The seven shows are: Chicago (June 13 – 19), Lerner and Loewe’s Camelot (June 22 – 28), Disney and Cameron Mackintosh’s Mary Poppins (July 5 – 13), Sweeney Todd: The Demon Barber of Fleet Street (July 16 – 22), Legally Blonde, The Musical (July 25 – 31), The Color Purple (August 3 – 9), and Joseph and the Amazing Technicolor Dreamcoat (August 12 – 18).
CHICAGO All That Jazz! The Triumph of the 2021 Muny Season Returns! Proudly Sponsored by Edward Jones June 13 – 19 Book by Fred Ebb and Bob Fosse Music by John Kander and Lyrics by Fred Ebb Based on the Play by Maurine Dallas Watkins Script Adaptation by David Thompson
Audiences and critics went “Whoopee!” for last season’s thrilling production of Chicago. Following an abbreviated run and early close to the 2021 season, our 2022 season opens with this encore production! Hailed as “Musical Theater Magic,” “Downright Breathtaking” and “Nothing Short of Brilliant,” Chicago was the talk of the town! So, re-start the car and head to Kander and Ebb’s internationally-acclaimed, Tony Award-winning musical about fame, fortune and justice. Merry murderesses Roxie Hart and Velma Kelly await!
LERNER AND LOEWE’S CAMELOT One Brief Shining Moment. First Production in 13 Years! June 22 – 28 Book and Lyrics by Alan Jay Lerner Music by Frederick Loewe Based on The Once and Future King by T.H. White Book adapted by David Lee New orchestrations by Steve Orich
Come re-discover this powerful, moving and enchanting tale of romance and political intrigue, as we all live for “one brief shining moment.” Based upon T.H. White’s novel, Lerner and Loewe’s Camelot features a lush and Excalibur-sharp score, including “If Ever I Would Leave You,” “What Do the Simple Folk Do?” and of course, “Camelot.” With this enchanting classic tale, you are guaranteed an unforgettable (k)night at King Arthur’s Round Table.
DISNEY AND CAMERON MACKINTOSH’S MARY POPPINS Practically Perfect for The Muny! Flies in for the Second Time! Proudly Sponsored by Ameren July 5 – 13 A Musical based on the stories of P.L. Travers and the Walt Disney Film Original Music and Lyrics by Richard M. Sherman and Robert B. Sherman Book by Julian Fellowes New Songs and Additional Music and Lyrics by George Stiles and Anthony Drewe Co-Created by Cameron Mackintosh
Based on one of the most popular films ever, Disney and Cameron Mackintosh’s MaryPoppins returns to The Muny with its irresistible story, unforgettable songs and breathtaking dance numbers! This Tony Award-winning stage adaptation shares the tale of the mysterious, magical nanny who arrives to give the Banks family some order – and maybe a bit of tough love. With winds in the east and mist coming in, your heart will soar for this enchanting show – and yes, Mary Poppins will fly over The Muny!
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET A Bloody Good Time. Muny Premiere! Proudly Sponsored by Missouri Lottery July 16 – 22 Music and Lyrics by Stephen Sondheim Book by Hugh Wheeler From an Adaptation by Christopher Bond Originally Directed on Broadway by Harold Prince Orchestrations by Jonathan Tunick
The spine-tingling American musical masterpiece makes its long-awaited Muny debut. Set in 19th century London, Sweeney Todd has captivated audiences around the world with its murderous melodies and a haunting tale of love, revenge and hilarious mayhem. Considered to be one of the greatest scores in Broadway history, this eight-time Tony Award-winning musical offers both thrills and laughs and is guaranteed to be an unforgettable night at The Muny.
LEGALLY BLONDE, THE MUSICAL Being True to Yourself Never Goes Out of Style. First Production in 11 Years! Proudly Sponsored by BMO Harris Bank July 25 – 31 Book by Heather Hach Music and Lyrics by Laurence O’Keefe and Nell Benjamin Based on the novel by Amanda Brown and the Metro-Goldwyn-Mayer Motion Picture
“Omigod You Guys,” Elle Woods returns! Based on the smash hit movie, Legally Blonde follows the transformation of quintessential blonde Elle Woods from sorority sister to Harvard Law graduate. Her journey of determination, self-discovery and finding true love receives its first Muny production in 11 years. Complete with a chihuahua, a bulldog and a UPS guy, The Muny is ready to “Bend and Snap” for a great time!
THE COLOR PURPLE I’m Beautiful and I’m Here. Midwest Regional and Muny Premiere! Proudly Sponsored by Emerson August 3 – 9 Based upon the novel written by Alice Walker and the Warner Bros./Amblin Entertainment Motion Picture Book by Marsha Norman Music and Lyrics by Brenda Russell, Allee Willis and Stephen Bray
Based on Alice Walker’s Pulitzer Prize-winning novel and Steven Spielberg’s landmark film, The Color Purple makes its Muny debut! Featuring a Grammy Award-winning score infused with jazz, ragtime, gospel and African blues, this moving tale is a testament to the healing power of love, faith, resilience and sisterhood. Winner of the 2016 Tony Award for “Best Revival of a Musical,” this epic staging promises a joyous evening of courage, hope and healing.
JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Any Dream Will Do! First Production in a Decade! Proudly Sponsored by U.S. Bank August 12 – 18 Lyrics by Tim Rice Music by Andrew Lloyd Webber
Originally written by Tim Rice and Andrew Lloyd Webber as a children’s oratorio, Joseph and the Amazing Technicolor Dreamcoat has, in time, expanded to become one of the most beloved shows ever. The story of Jacob, his 12 sons, and the amazing Technicolor adventures of Joseph features a multi-colored score of favorites including “Any Dream Will Do,” “Go, Go, Go Joseph” and “Close Every Door.” The first Muny production in a decade, audiences are guaranteed a night of big Muny family joy – with, of course, a megamix!
Subscribers save up to 30% on tickets to the 2022 Season.
Single tickets on sale Monday, May 23, 2022. Muny gift cards for the 104th season are now available online and at The Muny Box Office. For more information, visit muny.org or call (314) 361-1900. ###
The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 350,000 theatregoers over our nine-week season. Celebrating 104 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre.
For more information about The Muny, visit muny.org
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Eric Pugh has been named The Muny’s new Director of Marketing, effective January 1, 2022. He will lead all marketing and communications for the theatre’s artistic and institutional programming and branding.
“I am honored to have been chosen to lead the marketing efforts for one of the country’s greatest assets, and distinguished theatres,” said Muny Director of Marketing, Eric Pugh. “I am looking forward to becoming reacquainted with St. Louis, and I am so proud to call it home, once again. The Muny has a very bright future, and I am excited to be a part of what lies ahead.”
“We’re excited and grateful to add Eric to our team,” said Muny President and CEO, Kwofe Coleman. “Eric has a record of success both in the St. Louis market and on a national scale. His breadth of experience is going to be invaluable as we evolve our marketing efforts, deepen our connections and broaden our profile. I’m personally thrilled to welcome Eric to The Muny.”
Eric Pugh joins The Muny, after most recently serving as the Director of Sales, Marketing, and Strategic Development at the Historic Fulton Theatre in Lancaster, PA. Pugh’s successes have included increasing ticket revenue at the Fulton by over $2.3 Million or 70% during his tenure, which also includes an increase in subscriptions of nearly 4,000 or 60%. He has held similar positions, with comparable results at Cleveland Play House, STAGES St. Louis, Florida Studio Theatre, and the Carousel. An avid musical theatre fan, he feels blessed to be doing what he loves. When not at work, he can be found at a local theatre, or in New York, checking out the latest productions.
To stay connected virtually and to receive the latest updates, please follow The Muny on their social media channels, including Facebook, Instagram and Twitter. ###
The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 350,000 theatregoers over our nine-week season. Celebrating 103 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre.
For more information about The Muny, visit muny.org
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Muny announced the exciting seven show lineup for its 104th Season in 2022 Thursday.
Joining the previously announced “Disney and Cameron Mackintosh’s “Mary Poppins” and Stephen Sondheim’s masterpiece “Sweeney Todd,” will be the 2021 show “Chicago” cut short and the second premiere, “The Color Purple,” in addition to three fan favorites.
The triumph of the 2021 season returns when six-time Tony Award-winning Chicago kicks of 2022 (June 13 – 19). The salacious turns enchanting with Lerner and Loewe’s Excalibur-sharp classic Camelot (June 22 – 28). Fulfilling two 2020 commitments to the Muny audience: all-time family favorite Disney and Cameron Mackintosh’s Mary Poppins (July 5 – 13) will finally soar over The Muny (July 5 – 13), followed by the long-awaited Muny debut of Stephen Sondheim’s spine-tingling musical masterpiece, Sweeney Todd (July 16 – 22). The fabulously fun award-winning musical Legally Blonde (July 25 – 31) bounces back to the Muny stage for its first production in 11 years. Making its Muny debut, the landmark musical The Color Purple (August 3 – 9) bears a Grammy Award-winning score and moving tale of love, faith, resilience and sisterhood. Closing out the 104th Season is Tim Rice and Andrew Lloyd Webber’s multi-colored family favorite, Joseph and the Amazing Technicolor Dreamcoat (August 12 – 18).
The seven shows are: Chicago (June 13 – 19), Camelot (June 22 – 28), Disney and Cameron Mackintosh’s Mary Poppins (July 5 – 13), Sweeney Todd (July 16 – 22), Legally Blonde (July 25 – 31), The Color Purple (August 3 – 9) and Joseph and the Amazing Technicolor Dreamcoat (August 12 – 18).
“Last summer was extraordinary for so many reasons,” said Muny Artistic Director and Executive Producer Mike Isaacson, “and now we will return with our full seven show season, and this extraordinary line-up of shows.”
“More than ever, we are so grateful to be a place where the community gathers each summer,” said Muny President and CEO-elect Kwofe Coleman. “For what will be my first season as President and CEO, I am excited for us to produce a season that reflects the breadth of musical theatre and welcomes audiences from far and wide.”
Season ticket renewals will begin in December, with new subscriptions on sale in March 2022. Muny gift cards for the 104th Season are now available online and at The Muny Box Office. For more information, visit muny.org or call (314) 361-1900.
Information about auditions for the 2022 Muny season can be found at muny.org/auditions.
Show Descriptions:
Chicago The triumph of the 2021 Muny season returns! Audiences and critics went “Whoopee!” for last season’s thrilling production of Chicago. Following an abbreviated run and early close to the 2021 season, our 2022 season opens with this encore production! Hailed as “Musical Theater Magic,” “Downright Breathtaking” and “Nothing Short of Brilliant,” Chicago was the talk of the town! So re-start the car and head to Kander and Ebb’s internationally-acclaimed, Tony Award-winning musical about fame, fortune and justice. Merry murderesses Roxie Hart and Velma Kelly await!
Camelot The Broadway legend returns for its first Muny production in 13 years! Come re-discover this powerful, moving and enchanting tale of romance and political intrigue, as we all live for “one brief shining moment.” Based upon T.H. White’s novel, Lerner and Loewe’s Camelot features a lush and Excalibur-sharp score, including “If Ever I Would Leave You,” “What Do the Simple Folk Do?” and of course, “Camelot.” With this enchanting classic tale, you are guaranteed an unforgettable (k)night at King Arthur’s Round Table.
Mary Poppins Based on one of the most popular films ever, Disney and Cameron Mackintosh’s Mary Poppins returns to The Muny with its irresistible story, unforgettable songs and breathtaking dance numbers! This Tony Award-winning stage adaptation shares the tale of the mysterious, magical nanny who arrives to give the Banks family some order – and maybe a bit of tough love. With winds in the east and mist coming in, your heart will soar for this enchanting show – and yes, Mary Poppins will fly over The Muny!
Sweeney Todd Muny premiere! The spine-tingling American musical masterpiece makes its long-awaited Muny debut. Set in 19th century London, Sweeney Todd has captivated audiences around the world with its murderous melodies and a haunting tale of love, revenge and hilarious mayhem. Considered to be one of the greatest scores in Broadway history, this eight-time Tony Award- winning musical offers both thrills and laughs and is guaranteed to be an unforgettable night at The Muny
Legally Blonde “Omigod You Guys,” Elle Woods returns! Based on the smash hit movie, Legally Blonde follows the transformation of quintessential blonde Elle Woods from sorority sister to Harvard Law graduate. Her journey of determination, self-discovery and finding true love receives its first Muny production in 11 years. Complete with a chihuahua, a bulldog and a UPS guy, The Muny is ready to “Bend and Snap” for a great time!
The Color Purple Muny premiere! Based on Alice Walker’s Pulitzer Prize-winning novel and Steven Spielberg’s landmark film, The Color Purple makes its long-awaited Muny debut! Featuring a Grammy Award-winning score infused with jazz, ragtime, gospel and African blues, this moving tale is a testament to the healing power of love, faith, resilience and sisterhood. Winner of the 2016 Tony Award for “Best Revival of a Musical,” this epic staging promises a joyous evening of courage, hope and healing.
Joseph and the Amazing Technicolor Dreamcoat Originally written by Tim Rice and Andrew Lloyd Webber as a children’s oratorio, Joseph and the Amazing Technicolor Dreamcoat has, in time, expanded to become one of the most beloved shows ever. The story of Jacob, his 12 sons, and the amazing Technicolor® adventures of Joseph features a multi-colored score of favorites including “Any Dream Will Do,” “Go, Go, Go Joseph” and “Close Every Door.” The first Muny production in a decade, audiences are guaranteed a night of big Muny family joy – with, of course, a megamix!
Muny Mission
The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 350,000 theatregoers over our nine-week season. Celebrating 104 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre. For more information about The Muny, visit muny.or
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Muny announced today attendance totals for its triumphant 103rd season. After a 714-day intermission, The Muny opened its gates on July 26, 2021, for a five-show season that included Smokey Joe’s Cafe, The Sound of Music, Seven Brides for Seven Brothers, On Your Feet! and Chicago. The highly anticipated lineup for the 2022 season will be announced later this fall and will include Sweeney Todd and Disney and Cameron Mackintosh’s Mary Poppins.
“After an extended intermission, Season 103 offered an incredible homecoming for many,” said Muny President and CEO Denny Reagan. “We are so proud to have gotten the chance to present five productions for our audience, and to have had the opportunity to put our dedicated teams back to work. We cannot thank St. Louis enough for coming out and showing their support — we are forever grateful.”
“This past season will live in our hearts forever,” said Muny Executive Producer and Artistic Director Mike Isaacson. “You could scoop the audiences’ joy at being back at The Muny. It was so powerful. And everyone backstage gave everything they have as people and professionals to create our five extraordinary productions. I am enormously grateful.”
“Our 2021 season will, hopefully, be remembered as the summer this community came together and showed what the heart and willpower of a city can do,” said Muny Managing Director Kwofe Coleman. “Watching thousands of patrons light up as they passed through our gates each night is the reason we exist. While challenging, Season 103 will forever stand out in our history as poignant and unforgettably necessary.”
Total attendance for the five-show summer season: 192,806. This number does not include the Aug. 12 rainout of Seven Brides for Seven Brothers, or the Aug. 31 rainout and final three cancelled performances of Chicago. Through The Muny’s free seat and Community Access programs, over 50,000 guests experienced a Muny production at no cost.
103rd season attendance by show:
SMOKEY JOE’S CAFE: 37,290 The Songs of Leiber and Stoller July 26 – August 1 Words and Music by Jerry Leiber and Mike Stoller Sponsored by Ameren
Muny Premiere Ben E. King, The Coasters, Elvis Presley, Peggy Lee and The Drifters – what do they have in common? Besides being some of the most popular artists of the 50s and 60s, their hits, and over 35 others, were the bread and butter of Smokey Joe’s Cafe. Set in St. Louis’ historic Gaslight Square, Broadway’s longest-running musical revue included Grammy Award-winning favorites such as “Yakety Yak,” “Jailhouse Rock,” “On Broadway” and “Love Potion No. 9.” With this generation-defining Muny premiere, audiences were dancing in the aisles.
THE SOUND OF MUSIC: 55,409 August 3 – 9 Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Suggested by “The Trapp Family Singers” by Maria Augusta Trapp Sponsored by Edward Jones Considered by many to be the world’s most beloved musical, The Sound of Music reminds us that with high-spirited hope, heartfelt compassion and unwavering determination, life’s mountains can always be climbed. With its Tony, Grammy and Academy Award-winning score, including “Do-Re-Mi,” “My Favorite Things,” “Edelweiss” and the iconic title track “The Sound of Music,” the hills of Forest Park came alive once more!
Photo by Phillip Hamer
SEVEN BRIDES FOR SEVEN BROTHERS: 39,974 August 12 – 18 Book by Lawrence Kasha and David Landay Lyrics by Johnny Mercer Music by Gene de Paul New Songs by Al Kasha and Joel Hirschhorn Based on the MGM Film and “The Sobbin’ Women” by Stephen Vincent Benet Dance Music Arrangements by Sam Davis Sponsored by U.S. Bank Based on the Academy Award-winning 1954 film, Seven Brides for Seven Brothers is Americana at its finest. With an age-old tale of wooing and winning, the battle of the sexes and some barn-raising dancing, this western rollick featured whistle-worthy favorites, including “Bless Your Beautiful Hide” and “Goin’ Courtin’.” With two of the most eminent dance scenes in musical theatre history and seven times the fun, audiences saddled up for an unforgettable joyride through the Oregon frontier.
Note: The attendance total does not include the Aug. 12 rainout performance of Seven Brides for Seven Brothers.
Photo by Phillip Hamer
ON YOUR FEET!: 38,335 The Story of Emilio & Gloria Estefan August 21 – 27 Featuring Music Produced and Recorded by Emilio & Gloria Estefan & Miami Sound Machine Book by Alexander Dinelaris Sponsored by BMO Harris Bank
Muny Premiere Based on the inspiring true story of the queen of Latin pop, Gloria Estefan and her husband, Emilio, On Your Feet! is a universal sensation that shows what can happen when two people believe in their talent, music and one another. Their moving rags-to-riches story featured some of the most chart-topping songs of the past quarter-century, including “Rhythm is Gonna Get You,” “1-2-3,” “Coming Out of the Dark” and the title hit, “Get On Your Feet.” With this Muny premiere, audiences left ready to “Conga!”
Photo by Phillip Hamer
CHICAGO: 21,798 August 30 – September 5 Book by Fred Ebb and Bob Fosse Music by John Kander Lyrics by Fred Ebb Based on the play by Maurine Dallas Watkins Script Adaptation by David Thompson Sponsored by Missouri Lottery Start the car and head to a “whoopee spot” where crime and corruption are hot! Kander and Ebb’s internationally-acclaimed musical about fame, fortune and justice features a headline-worthy story of how two icon-victs become Jazz Age celebrities. Set during the Prohibition era, this six-time Tony Award-winner, the longest-running American musical in Broadway history, included showstopping standards such as “Cell Block Tango,” “Mister Cellophane” and the notorious “All That Jazz.”
Note: The attendance total does not include the Aug. 31 rainout or final three cancelled performances of Chicago.
Emerson is proud to be The Muny’s 2021 Season Sponsor.
To stay connected virtually and to receive the latest updates, please follow The Muny on their social media channels, including Facebook, Instagram and Twitter.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Muny announced Friday afternoon the cancellation of the three remaining performances of Chicago, the theatre’s fifth and final production of its 103rd season, due to positive COVID-19 breakthrough cases within the cast. There will be no performances Friday through Sunday, Sept. 3, 4 and 5, 2021.
“While deeply unfortunate, the decision to cancel the remainder of this season is unquestionably necessary. The safety of our Muny family, both onstage and off, has been a top priority since day one,” said Muny President and CEO Denny Reagan. “Out of 35 nights of Muny magic scheduled for 2021, we were able to spend 31 of them together. We cannot thank St. Louis enough for helping us usher live theatre back into Forest Park. This season has been nothing short of a homecoming for many.”
“The heartbreak of this moment is real,” said Muny Artistic Director and Executive Producer Mike Isaacson. “This was a remarkable production of Chicago, and I am so grateful for its three nights of glory. I feel the same about our entire 103rd season. It was extraordinary, and I honor everyone for their artistry, humanity and commitment.”
“We’ve remained in constant communication with health professionals and officials throughout this pandemic, and are remarkably grateful for their guidance in getting us to this point,” said Muny Managing Director Kwofe Coleman. “While this is a disappointing end to our 103rd season, we remain proud and grateful that this community, including our crews and staff, worked together to make it possible for an unforgettable return to live theatre in Forest Park. We’ll see you next summer.”
Season ticket holders for the 2021 season will be contacted with detailed information regarding remaining balance options. Single ticket holders who purchased their tickets through MetroTix will receive an email and automatic refund from MetroTix. The Muny Box Office in Forest Park will be closed Sept. 3 – 6. Beginning Tuesday, Sept. 7, Muny Box Office hours will be Monday through Friday, 9 a.m. – 5 p.m. Single ticket holders who bought their tickets in person at the Muny Box Office in Forest Park m ay call or return to the box office to receive a refund. Refunds for the canceled performances are available Sept. 7 through Sept. 30, 2021.
To stay connected virtually and to receive the latest updates, please sign up for Muny emails or follow The Muny on their social media channels, including Facebook, Instagram and Twitter.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The best produced show of the Muny’s 103rd season, “Chicago” capped off the welcome return to tradition in Forest Park this summer with a sultry and sleek music-and-dance showcase.
Everything about the production was on point – from the crisp staging by director Denis Jones and his snappy choreography to the jazzy brass beats from the swinging orchestra conducted by music director Charlie Alterman.
And this production blazes with star power. You will remember the names of the lead trio: Sarah Bowden (Roxie Hart), J. Harrison Ghee (Velma Kelly) and James T. Lane (Billy Flynn).
With snazzy music by John Kander and barbed lyrics by Fred Ebb, patterned after old-timey vaudeville numbers, and a saucy original book by Ebb and Bob Fosse, the story is a sardonic take on fame and the justice system set during the freewheeling Jazz Age.
It is based on a 1926 play by reporter Maurine Dallas Watkins about actual criminals she covered for a newspaper in Chicago. This current script adaptation is by David Thompson, who worked with Kander and Ebb on the musicals “The Scottsboro Boys” and “Steel Pier.”
Jones’ clever concept was to set the show as an entertaining spectacle at a speakeasy, with café tables around a perimeter so it’s watched by not only the Muny audience but also by performers on stage. He did a similar staging, but not an exact replica, for the 2012 Muny version. That point of view works brilliantly.
Scenic designer Tim Mackabee gave it a striking look while the lighting design by Rob Denton added to the stylized atmosphere and the stellar video design by Shawn Duan complemented the experience perfectly.
Drenched in cynicism, “Chicago” satirizes corruption and is a show-bizzy spin on tawdry headline-grabbing trial that marked the Prohibition Era — but are also timely today. Merry murderers Roxie Hart and Velma Kelly attempt to seize the spotlight and become celebrities.
Perhaps when the musical debuted in 1975, it was ahead of its time, for contemporary audiences didn’t find it relatable. The week after the Broadway show closed after 936 performances in the summer of 1977, it transferred to the Muny. Starring Jerry Orbach and Ann Reinking, it was not well-received (I was there).
The mostly unsympathetic characters take part in a three-ring circus that’s part illusion and part rhapsody in sleaze. Its relevance has only grown over the years, especially in the digital age of social media.
A rebirth after a robust 1996 Tony Award-winning revival received universal acclaim and broke records as the longest-running musical revival and the longest running American musical in history, second only to “The Phantom of the Opera” on the all-inclusive list (it surpassed “Cats” on Nov. 23, 2014, with its 7,486th performance).
Because the 24-hour news cycle has helped fuel an obsessive celebrity culture and the emergence of reality television has made stars out of unsavory housewives, wealthy influencers like the Kardashians and self-absorbed narcissists, now society has caught up with “Chicago’s” place in pop culture history.
It took me awhile to warm up to the musical, but after watching a few high-profile celebrity trials, you see the parallels. And those songs from the team that gave us the insightful “Cabaret” get better every time you hear them.
Sarah Bowden as Roxie Hart. Photo by Phillip Hamer.
A movie adaptation in 2002 garnered an Academy Award for Best Picture, earning six total, including Best Supporting Actress Catherine Zeta-Jones as Velma, which also helped its acceptance. It was the first musical since “Oliver!” in 1968 to win the top award.
Cut to Artistic Director and Executive Producer Mike Isaacson’s first season at The Muny in 2012, and “Chicago” was second in the line-up following Fox Theatricals’ Tony winner “Thoroughly Modern Millie.” He said it had been the most requested show on the annual survey for several years.
It’s back, for just the third time, 10 years later, with Jones, now a two-time Tony Award nominee for choreography on “Tootsie” in 2019 and “Holiday Inn” in 2017, raising the bar once again.
He has put his stamp on of two of the Muny’s best shows during the past decade, “42nd Street” in 2016 (Jones, St. Louis Theater Circle Award) and “A Chorus Line” in 2017, and now with another fresh outlook on “Chicago.”
Jones is familiar with the Broadway revival, for he was a swing performer and later dance captain, during four separate runs for him (performing in total for about four and a half years). He worked with Ann Reinking, Bebe Neuwirth, Joel Grey and James Naughton, who began their roles in 1996. So, he had specific ideas on what to keep and what to change.
His associate choreographer, Barry Busby, deserves a shout-out too, for the dance numbers are seamless. They put the roar back in The Roaring Twenties, and the vibrancy shows in Bowden-led “Roxie” and “Me and My Baby,” and Billy’s flashy “Razzle Dazzle.”
“Chicago” will always be Fosse’s magnus opus, for his signature moves, those distinctive deliberate dance steps – and jazz hands! But this isn’t a copycat at all. (Fosse may have lost the Tonys for choreographer and director pf “Chicago” to “A Chorus Line” in 1976, but he holds the all-time record, with eight, for choreography).
The athletic dancers excel at the high-octane numbers. Six performers carry out “Cell Block Tango” with the attitudes you expect – Liz (Madison Johnson), Annie (Taeler Cyrus), June (Veronica Fiaoni), Hunyak (Lizz Picini), Velma (Ghee), and Mona (Carleigh Bettiol), more commonly known as “Pop, Six, Squish, Uh-Uh, Cicero, and Lipschitz.”
Bowden plays Hart with verve, oozing phony wholesomeness in the public eye and a ruthless craving for attention when not. She was here once, in “Jerome Robbins’ Broadway,” and is an energetic firecracker on stage.
The magnetic Ghee sashays and struts as tough-as-nails Kelly, resentful of Hart being the shiny new sensation. He got our attention as Lola in “Kinky Boots” in 2019 and is a dynamic force every time he appears. Wearing satiny outfits and displaying a silky voice, he sets the tone with a seductive “All That Jazz” and an indignant “I Know a Girl,” and shows off his dexterity in “I Can’t Do It Alone.”
J Harrison Ghee, Sarah Bowden. Photo by Phillip Hamer.
Bowden is fire to Ghee’s ice, a combustible fun mix for the “My Own Best Friend” that closes Act 1 and the “Nowadays”/ “Hot Honey Rag” finale with those omnipresent canes and hats Fosse was so fond of using.
James T. Lane embodies the slick ambulance chaser lawyer Billy Flynn with a demanding and greedy nature – and delivers a dandy disingenuous “All I Care About” – accompanied by a marvelous fan dance that received its own ovation. Lane was last seen as Sebastian in 2017’s “Little Mermaid” here.
One of this show’s standout numbers is the “We Both Reached for the Gun” press conference rag with Billy pulling Roxie’s strings like a ventriloquist and the ensemble doing fast footwork.
It’s good to see veteran performers Emily Skinner and Adam Heller, who were both in The Rep’s magnificent “Follies” in 2016, and St. Louis Theater Circle nominees for previous Muny work, back on the outdoor stage. As Matron “Mama” Morton, Skinner belts out a terrific “When You’re Good to Mama” and teams with Ghee on one of my favorites, “Class.”
Heller, last seen as Ben Franklin in “1776,” plays Roxy’s cuckolded husband Amos Hart as a more naïve sad sack, not realizing how he is being manipulated. He strikes the right tone for an affecting ‘Mr. Cellophane.”
With her sweet soprano, Ali Ewoldt poses as the powerful radio personality Mary Sunshine and sings the ironic “Little Bit of Good.”
Regular Michael James Reed capably portrays five different roles in the ensemble: stage manager, Sgt. Fogarty, doctor, Aaron and the Judge.
The technical elements were also superior, with costume designer Emily Rebholz’s striking work with vintage fashions and for limber dance outfits, accompanied by strong wig design by Tommy Kurzman.
The shortened season is coming to an end, and what the Muny achieved this summer is remarkable, putting five shows together in eight weeks. This is also the time for a fond farewell to Denny Reagan, who is retiring after spending 53 years at the Muny, the last 30 as President and CEO.
A trip to the Muny isn’t complete until you greet Denny, or see him greeting patrons, at his ‘spot.’ We look forward to working with his top-shelf successor, Kwofe Coleman, starting in January.
Cell Block Tango. Photo by Phillip Hamer.
This collaborative production was a grand, great, swell time where all the elements came together in blissful harmony.
Attendance for the opening night performance was 6,435. The show runs an estimated 2 hours and 30 minutes.
“Chicago” is the final show of the shortened 103rd five-show season, through Sunday, Sept. 5. Performances are at 8:15 p.m. each evening on the outdoor stage in Forest Park. Emerson was the 103rd season sponsor.
For more information, visit muny.org.
Tickets can be purchased in person at the box office, online at muny.org or by phone by calling (314) 361-1900 ext. 1550.
To stay connected virtually and to receive the latest updates, please follow The Muny on their social media channels, including Facebook, Instagram and Twitter.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
A refreshing summer breeze took over the Muny for the premiere of the solid-gold Emilio and Gloria Estefan musical “On Your Feet!” and transformed it into an effusive Saturday night Dance Party. Did we need this now or what?
A winning combination of melodic Latin rhythms, heartfelt pop ballads, ebullient dance moves and an only-in-America success story, this electrifying jukebox musical swiftly engaged the crowd, who seemed ready to have the rhythm get them up and on their feet for a rockin’ megamix curtain call.
The winds of change were noticeable opening night on that venerable stage in Forest Park, where it has been a beacon in times of turmoil – and created more than a few memorable moments. Will we remember this night as a turning point? It deserves to be one.
To be sure, it was a fait accompli that also was of historical significance. Looking back at the past decade, this Muny premiere is the most recent work on the schedule, having opened on Broadway in 2015.
While the Municipal Opera archives includes pre-Broadway tryouts and shows imported directly from New York, “On Your Feet!” is also among the shows that have had the shortest time between its Broadway debut and the Muny-produced premiere. For instance, “On Your Feet!” has six years between those markers, only surpassed by “Legally Blonde” — 2007 in NYC and 2011 in Forest Park, and “Newsies” on Broadway in 2012 and at the Muny in 2017. (“Kinky Boots” and “Matilda the Musical” both opened on Broadway in April 2013 and were at the Muny the summer of 2019, and “Shrek the Musical” was in NYC in 2007 and at The Muny in 2013, so all tying the six years’ gap.)
The show also represents a sea change — the first about Latinos by Latinos with a primarily Latino cast. The Estefans are known for breaking barriers, so kudos for this achievement, too.
Arianna Rosario and Omar Lopez-Cepero as Gloria and Emilio Estefan. Photo by Phillip Hamer.
Because the audience of 5,930 wholeheartedly embraced this modern musical, magic materialized and represented something larger in the big picture. After all, the Muny is most importantly about community, and “On Your Feet!” is about what community means – and how determination and everlasting love can get us over insurmountable odds.
There is so much to like about this local production, well-suited for the expansive outdoors stage, not only a showcase for sizzling performances but also as a panorama of cultural heritage.
Based on the remarkable true story of married power couple Emilio and Gloria Estefan (lightning bolts Omar Lopez-Cepero and Arianna Rosario), who met while making music in Miami. Gloria Maria Milagrosa Fajardo Garcia was 17, studying for a degree in psychology.
As leader of the popular group Miami Latin Boys, Emilio recognized her talent, and it was apparent early on they made quite a team. They eventually married, had a son and daughter, and built an international career that resulted in Gloria becoming one of the best-selling female artists of all-time. (75 million records and counting).
Impossible was never in their vocabulary, and the realities of what they overcame makes for a compelling narrative. Above all, their backstory illustrates how enormous hard work and belief in what they offered paid off.
In the 1980s, their Miami Sound Machine music was a revolutionary fusion of Cuban and American cultures and as an early crossover to other audiences, earned worldwide acclaim through its propulsive beats: “Conga!”, “Rhythms Is Gonna Get You,” “1-2-3,” “Get on Your Feet” and “Live for Loving You” lit up club dance floors. Fame and fortune followed, but not without its struggles.
Initially, Gloria shied away from the spotlight, but that exceptional voice demanded she be front and center. The band became known as Gloria Estefan and The Miami Sound Machine, later dropping the group name. Grammy Awards, Presidential Medal of Freedom, Kennedy Center Honors and two Super Bowl halftime appearances are among her accolades.
The ready-made-for-a-musical opened at New York’s Marquis Theatre in 2015 after a Chicago tryout and closed after 746 performances in 2017. Some of the Muny cast and production team were involved in the Broadway show, including music director Lon Hoyt, who makes the music pop with pizzazz.
Omar Lopez-Cepero and Arianna Rosario. Photo by Phillip Hamer
This biopic was immediately elevated by the casting of real-life husband-and-wife Lopez-Cepero and Rosario as the leads. They make a dynamic duo, easily captivating with sincerity, personality and noticeable chemistry.
As the Queen of Latin pop, Rosario is a dazzling magnetic force delivering hit after catchy hit and conveying warmth and courage in the personal life interludes. During the Broadway run, she was an understudy for Gloria and performed as Rebecca, Gloria’s sister, and in the ensemble.
Since his breakthrough performance in the Muny’s 2017 “The Unsinkable Molly Brown” and his tremendous turn as Armando in 2019’s “Paint Your Wagon,” Lopez-Cepero has been notable. Fortunately, he finally gets an opportunity to be in a starring role, and effortlessly rises to the occasion. He was in the original Broadway cast as a supporting player.
He shines as Emilio, who recognized Gloria’s talents and would not be deterred by all the doors shut along the way, opening windows instead and allowing the music to do its magic. His splendid voice soars in “Don’t Want to Lose You.”
Both the Estefans and the headliners project that their marriage is a terrific representation of a true partnership.
Family is a major focus of the musical’s book by Alexander Dinelaris Jr., Oscar winner for co-writing the original screenplay of “Birdman” with Alejandro G. Iñárritu, Nicolás Giacobone and Armando Bo.
The delightful Alma Cuervo, who originated the role of Consuelo, Gloria’s supportive “abuela’ (grandma) on Broadway, endeared herself on the larger stage.
And because there is never a musical biography without conflict, that friction is displayed in the rocky relationship with bitter mom, also named Gloria, whose dreams were crushed at a young age.
As the elder Gloria, Natascia Diaz stands out in song – “Mi Tierra” and with Lopez-Cepero in “If I Never Got to Tell You,” a song written by Gloria and her daughter Emily Estefan for this show.
Locally, Diaz won a Kevin Kline Award for best supporting actress in a musical in 2006 for portraying Anita in The Muny’s 2005 “West Side Story” and was nominated for a St. Louis Theater Circle Award as Velma Kelly in the Muny’s “Chicago” in 2012.
While the book follows the template of many other standard biographies, Gloria’s backstory does include some hefty issues. At age 2, she fled from the revolution in Cuba with her family. In the U.S. military, her father served in the Bay of Pigs invasion and volunteered for Vietnam, and Gloria’s tapes of her singing comforted him on the far-away battlefield.
Martin Sola is poignant as Jose Fajardo, the loving dad suffering from multiple sclerosis. He was also a part of the Broadway production.
Adolescent performers are bright lights — Isabella Iannelli as young Gloria and Jordan Vergara as son Nayib and young Emilio respectively. Vergara made his Broadway debut as an alternate in those roles and continued playing them in the national tour.
There is a fun recreation of a Shriners convention in Vegas, with the two youngsters as tiny Elvis impersonators, and the enitre youth ensemble is a sunny presence in the big numbers.
The multi-generational ensemble is noteworthy – and the diversity reflects how America looks today. Bravo to the casting that recognized talent comes in all different shades and sizes, and for the work by dialect coach Gaby Rodriguez Perara.
Director Maggie Burrows, a Muny first-timer, has deftly pulled all the elements together to keep the story on its toes, fortified with athletic choreography by William Carlos Angulo and Hoyt’s percussive beat. The musicians were a finely tuned machine, and the additional percussion gave the pulsating numbers extra oomph.
Costume Designer Leon Dobkowski’s signature swirling mix of bright colors provided flexibility and were pleasing to watch in motion.
The book’s construction makes it necessary to stage small, intimate scenes – such as a kitchen counter, a bedroom, a dressing room and a hospital bed, so I wish the sound had been better, because at times it was subpar, hard to hear the conversations.
Because of Gloria’s explosive career as an entertainer, scenic designer Tim Mackabee has staged multiple numbers with the pop superstar descending a staircase in headlining diva mode, and the band perched in full view – which lends such a vitality.
As does video segments on the LED screen as an ‘up close and personal’ viewpoint – an ingenious move that offers something new. Kudos to video designer Kate Ducey on the innovative work.
The scenic design also features a minimal but effective use of tropical settings in Havana and south Florida.
Act II features the devastating accident in March 1990, when the Estefans’ tour bus collided with a semi-truck in a snowstorm. Gloria suffered severe spinal injuries, and could have never walked again, but a nine-hour surgery, where they inserted two titanium rods, helped her to fully recover – that and an intense focus on rehabilitation, not to mention the encouragement from thousands of fans across the globe.
The finale recalls the stunning moment when Gloria took the stage at the American Music Awards the next year and sang “Coming Out of the Dark,” which she wrote with Emilio and songwriter/bandmate Jon Secada.
As with any triumph in life, persistence is the key, and this musical exemplifies that, just like Gloria’s album, “Into the Light.”
“On Your Feet!” is a breath of fresh air, a jolt of joy in an increasingly scary world. As the joint was jumpin’ on opening night, this indicated patrons could be receptive to a brand-new day.
How lovely that the universal language of music could soothe our souls at a time we badly need a reminder in the enduring, inspiring notion that America still is the land of hope and dreams.
This summer smile was indeed welcome. And a sweet ending with fireworks after tripping the light fantastic.
“On Your Feet!” is presented nightly at 8:15 p.m. from Saturday, Aug. 21 to Friday, Aug. 27, at the Muny outdoor stage in Forest Park. For more information, visit www.muny.org. For tickets, visit www.Metrotix.com or the Muny box office, from 9 a.m. to 9 p.m. Monday through Sunday at 1 Theatre Drive, or call (314) 361-1900 x1550.
The Megamix Curtain Call. Photo by Phillip Hamer.
Muny photos by Phillip Hamer.
Lynn Venhaus has been reviewing the Muny since 2009 and professional theater since 2005, and is a founding member of the St. Louis Theater Circle, established in 2012. A longtime journalist, she has had a continuous byline in St. Louis metropolitan area publications since 1978, earning awards along the way for news and features (and an Illinois Press Association award for reviews before they dropped the category). She has taught writing for the media as an adjunct instructor at three local colleges. A graduate of Illinois State University, she has a mass communications degree with a minor in theater. Among her life achievements are sons Tim and Charlie.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
