By Lynn Venhaus

Long admired as a versatile performer among the regional theater community, actress Emily Baker’s recent return to the stage has been met with universal acclaim.

In March, she won Outstanding Performer in a Comedy, Female or Non-Binary Role. as Susan in Albion Theatre’s “Woman in Mind” from the St. Louis Theater Circle.

In the Alan Ayckbourn play, she portrays a woman who has suffered a mental breakdown and has developed a vivid fantasy world. In her real life, she is neglected wife who is estranged from her son. By contrast, in her imagination, she is happy and successful with a perfect family who adores her.

One critic described her 2024 performance as “a tragicomic tour de force,” another called it “richly realized.”

Her virtuoso work as Heidi Holland in New Jewish Theatre’s “The Heidi Chronicles” (May 29 – June 15), portraying the feminist art historian from the 1960s to 1980s, has been hailed as showing “commanding poise and self-confidence,” and displaying “strength, vulnerability and intelligence.”

The Pulitzer Prize and Tony Award-winning play by Wendy Wasserstein was directed by Ellie Schwetye and starring Joel Moses, Will Bonfiglio, Kelly Howe, Courtney Bailey, Ashwini Arora, Joshua Mayfield and Paola Angeli.

“The Heidi Chronicles” at New Jewish Theatre. Photo by Jon Gitchoff.

As Heidi wrestles with questions of identity, success, and fulfillment during a time of profound societal transformation, Wasserstein’s work offers a powerful look at a generation’s evolving ideals and the personal cost of progress.

“I am delighted to be working at New Jewish again with this awesome group of people,” she said.

Baker described this special project as a way to relate to her parents’ experiences.

“My parents lived through the time periods in ‘The Heidi Chronicles’ at about the same age as Heidi, so I was excited about the prospect of learning more about my parents and the times by discussing the play with them. I really enjoy when a play gives you the ability to dig deep, not only into the character but also your own life and family,” she said.

Baker has returned to New Jewish Theatre for the first time since 2015, in which she played Patricia in “Sight Unseen” opposite her husband, Aaron Orion Baker, one of her favorite roles.

He played a now-famous artist who visits his ex-girlfriend in hopes she has a painting he’d like to include in an exhibit. She and her husband both resent his presence, for he treated her shabbily, and she hasn’t forgotten that she was a ‘sacrificial shiksa.” As they say, the plot thickens.

Emily Baker, at right, with her husband, Aaron Orion Baker, at left, in “Sight Unseen.”

Baker has worked with St. Louis Actors Studio, Upstream Theater, St. Louis Shakespeare, West End Players Guild, the former Muddy Waters Theatre Company and That Uppity Theatre Company, among others.

A favorite part is Ivy, Violet Weston’s daughter who stayed to take care of her mother, in “August: Osage County,” which was performed by STLAS in 2017.

Among her portrayals at St. Louis Shakespeare, she played the title role in “The Further Adventures of Hedda Gabler,” Ariel in “The Tempest,” and Penelope in “The Odyssey.”

She won her first St. Louis Theater Circle Award as Gretchen in the comedy “Boeing Boeing” at the former Dramatic License Productions in 2013. A German airline stewardess, Gretchen isn’t aware that pilot Bernard has two other fiancées.

After a hiatus to raise daughter Evelina, she has returned to acting in satisfying roles. Next up is playing Eunice, one of Stella’s friends and neighbors, in the Tennessee Williams Festival St. Louis’s “A Streetcar Named Desire,” which will be presented Aug. 7 – 17 at the Grandel Theatre in St. Louis.

The New Jewish Theatre presents “The Heidi Chronicles” from May 29 to June 15 at the Wool Studio Theater, 2 Millstone Campus Drive, Creve Coeur, Mo. Performances are on Thursdays, Saturdays, and Sundays. There is an additional show on Wednesday, June 4. Show times and tickets are available online at newjewishtheatre.org or by phone at 314.442.3283. NJT’s 2025 Season is generously sponsored by Mary Strauss. The play is 2 hours and 15 minutes long, with a 15-minute intermission.

As Susan in “Woman in Mind” with Isaiah DiLorenzo as her ‘imaginary husband.’

Q & A with Emily Baker

1. Why did you choose your profession/pursue the arts?

I am a teacher/school librarian and actor.  I knew I was interested in acting pretty early on.  I also believed that I would enjoy working in education from a pretty early age.  Both of those avenues involve connecting to people and sharing a bit of yourself with them.  I think that’s what interests me most about both career paths.

2. How would your friends describe you?

My friends describe me as passionate, empathetic, creative, intuitive, helpful, and kind.

3. How do you like to spend your spare time?

I love nature.  I enjoy walking at the Missouri Botanical Gardens with my family, hiking, and gardening.  I also enjoy reading, especially classics like Jane Austen and Shakespeare. 

4. What is your current obsession?

I’m obsessed with Duluth Trading Company’s Heirloom Overalls.  They come in so many colors and patterns.  I currently own seven pairs and I’m probably not done.

5. What would people be surprised to find out about you?

I’m an only child.  Most people are surprised to find that out.  I guess I don’t fit the mold of a typical only child.

As Heidi Holland in “The Heidi Chronicles” at New Jewish Theatre. Photo by Jon Gitchoff.

6. Can you share one of your most defining moments in life?

Becoming a mother changed my life forever.  There was a period of time where I was unsure if I would get the chance to be a mom.  Being a parent is a beautiful, frustrating, rewarding, and tiring job, but I’m so thankful I get the opportunity to learn and grow as a human with my daughter.

7. Who do you admire most?

It’s too hard to choose one person.  The traits I admire most in humanity are perseverance, compassion, and optimism.

8. What is at the top of your bucket list?

Traveling more abroad.  I’d like to see Spain, Greece, Italy, and get back to Scotland (it’s my favorite place on earth).  My daughter is fascinated with the Northern Lights so I feel a trip somewhere where we can really see them clearly is in our family’s future, too.  I would travel often if I had the time and money to do so.  Seeing new places gives you perspective and helps you understand yourself and the world better.

9. What is your favorite thing to do in St. Louis?

I have to pick two.  Visiting Forest Park and going thrift shopping.  There is so much to do in Forest Park — much of which is free — and it’s so close.  And with thrift shopping, you never know what you might find.  It’s kind of like a treasure hunt.  I can do it for hours, hopping around to different ones.

10. What’s next?

I’ll be playing Eunice in “A Streetcar Named Desire” with the Tennessee Williams Festival St. Louis later this summer.

Emily Baker as Ivy Weston, with Meghan Baker as Barbara and Kari Ely as Violet, in St. Louis Actors’ Studio’s “August: Osage County.” Photo by Patrick Huber.

Name: Emily Baker
Age: (optional) 42
Birthplace: St. Louis
Current location: St. Louis
Family: Aaron Orion Baker, Evelina and Thief (our 90-pound dog)

Emily Baker and Maggie Wininger in Kate Chopin’s “The Awakening” by STLAS.


Education: BA in Theatre and English (Truman State University), Master of Arts in Education (Truman), and Master of Library and Information Science (Mizzou)

Day job: Middle and High School Librarian and Technical Theatre Teacher and Director in the Maplewood Richmond Heights School District.

First job: My first job was developing contact sheets of photo negatives at my dad’s photo studio when I was 13.


First play or movie you were involved in or made: I played the duck (no lines other than quacking) in a staging of the classical music piece “Peter and the Wolf” by Sergei Prokofiev when I was 6 or 7.

Favorite jobs/roles/plays or work in your medium?  Ivy in “August: Osage County” (St. Louis Actors’ Studio), Solange in “The Maids” (Upstream), Patricia in “Sight Unseen” (New Jewish), Gretchen in “Boeing Boeing” (Dramatic License Productions) and Susan in “Woman in Mind” (Albion).

Dream job/opportunity: My dream roles are mostly Shakespearean.  I’d love to play Beatrice in “Much Ado About Nothing” and Lady Macbeth in “Macbeth.”

Awards/Honors/Achievements
: I’ve been the recipient of two St. Louis Theatre Circle Awards (Gretchen in “Boeing Boeing” and Susan in “Woman in Mind”).

Favorite quote/words to live by: “Whatever can anyone give you greater than now, starting here, right in this room, when you turn around?”  – William Stafford from the poem, “You Reading This, Be Ready.”

A song that makes you happy: “How Do You Feel” by Jefferson Airplane 

Photo at right: Emily Baker with Will Bonfiglio during rehearsals for “The Heidi Chronicles”.

Ben Ritchie and Emily Baker in “All in the Timing” at St Louis Actors’ Studio in 2014. Photo by Patrick Huber.


By Lynn Venhaus

A longtime multi-hyphenate in St. Louis, actor, director and playwright Stephen Peirick’s latest challenge is a very personal and special experience for him, what he describes as a “dream opportunity.”

As director of the regional theater premiere of the Tony-winning “The Inheritance,” he said it’s not only an honor and privilege to be a part of the work, but described the production as an “embarrassment of riches” because of his “hands-down brilliant” cast.

Tesseract Theatre Company will present “The Inheritance, Parts 1 and 2” by Matthew Lopez April 26 to May 5 at the Marcelle Theatre in Grand Center. There is one day, May 4, where both parts will be presented. For more information, visit www.tesseracttheatre.com and tickets are available at MetroTix.

Peirick is working with Tesseract for the first time. Taylor Gruenloh, former founder and artistic director, said he first thought of Stephen while reading the play, and locked him in to make it happen.

“As soon as I read that play, it reminded me of all the work Stephen was doing in town. And knowing how passionate he is about this kind of subject matter made it important to know he was at the helm before the rights were secured,” Gruenloh said.

The Daily Telegraph said it was “perhaps the most important American play of this century.” The play is based on “Howard’s End” by E.M. Forster and takes place in New York City decades after the AIDS epidemic, as three generations of gay men attempt to forge a future for themselves amid turbulent and changing America.

“This play doesn’t deny the pain of our experience.. it allows people to remember how we have gotten this far, what it’s like to fight, and who we have lost along the way. That sometimes our best weapon is our sense of humor, is our wit, is our intelligence, and is the love we have for each other,” said playwright Matthew Lopez.

Gabriel Paul and Chris Kernan. Photo by Tesseract Theatre Company.

Eric Glass (Chris Kernan) is a political activist engaged to his writer boyfriend, Toby Darling (Gabriel Paul). When two strangers enter their lives — an older man and a younger one — their futures suddenly become uncertain as they begin to chart divergent paths. This is an epic examination of survival, healing, class divide, and what it means to call a place home.

Besides Kernan and Paul, “The Inheritance” cast includes Tyson Cole, Stephen Henley, Jon Hey, Donald Kidd, Alex Moore, Kevin O’Brien, Jacob Schmidt, Sean Seifert, Nic Tayborn, Kelvin Urday, and Margery Handy. Assistant Director is Dani Mann.

Among its accolades, “The Inheritance” won the 2020 Tony Award for Best Play., the 2020 Drama Desk Award for Best Play and the 2019 Olivier Award for Best Play.

​This production is for mature audiences. May contain mature themes, language, nudity, sexuality, violence, satire and/or progressive ideas.

Peirick has been working with Stray Dog Theatre for years, and has performed and directed at West End Players Guild and performed with Union Avenue Opera in “Lost in the Stars.” He also works with Take Two Productions, a community theatre.

He is known for writing original plays as well, and has received nominations for Best New Play from the St. Louis Theater Circle for “Wake Up, Cameron Dobbs” and “Four Sugars.”

Last year, the Circle nominated him for his performance as Ned Weeks in “The Normal Heart” and several years ago for “The Doll’s House.”

He has also been nominated for the local community theatre Arts for Life awards for directing, lighting design, choreography and scenic design — winning the latter for Fun Home with Take Two Productions.

Next up is directing “Merrily We Roll Along” for Take Two Productions, which will be presented in September and October.

Stephen as Ned Weeks in “The Normal Heart,” with Joey Saunders, at Stray Dog Theatre in 2022. Photo by John Lamb.

Take Ten Questionnaire with Stephen Peirick

1. What is special about your latest project?

Larry Kramer masterfully wrote the brilliant play The Normal Heart, which detailed his experiences fighting for the gay community during the AIDS crisis in the 1980s. When I first saw Kramer’s play in 2011, it amplified a history I had been almost entirely ignorant of. It was a humbling moment as a gay man: an embarrassing privilege of my age. Kramer’s play inspired me to want to share this history with the world, and in particularly with the next generation of queer youth.

Our history is important. We are important. Matthew Lopez’s first-rate epic The Inheritance goes one step further, by asking audiences to ponder not only what we owe the generation who came before us, but what will we leave behind for the generation to come?

It’s not often that you get asked about your interest in directing a two-part epic – this has been a dream opportunity. It has been my incredible honor and privilege to direct the St. Louis premiere of this Tony-Award winning play.

And then, on top of it, to get to work with a hands-down brilliant local cast (Tyson Cole, Nic Tayborn, Sean Seifert, Jacob Schmidt, Stephen Henley, Donald Kidd, Kevin O’Brien, Kelvin Urday, Chris Kernan, Gabriel Paul, Alex C. Moore, Jon Hey, and Margery Handy) and an exceptional behind the scenes team (Dani Mann, Rachel Downing, Amanda Brasher, Abby Pastorello, Tony Anselmo, Jacob Baxley, Sarah Baucom, Kent Coffel, Kevin Sallwasser, as well as Tesseract’s Creative Directors Brittanie Gunn and Kevin Corpuz): this show has been an embarrassment of riches for a director. A special experience, for sure.

2. Why did you choose your profession/pursue the arts?

Because I can’t NOT pursue it. (I would be so much more well-rested if I just stay away!) At the end of the day, I’m a storyteller trying to get better at this craft. Whether I’m directing, acting, or writing…I have a passion for creating, and no matter how tired I get, I keep going back for more.

As George in “Who’s Afraid of Virginia Woolf?” at Stray Dog Theatre in 2023, with Stephen Henley and Claire Wenzel. John Lamb Photo.

3. How would your friends describe you?

First and foremost, I think they’d say I was hot. And also, probably…hilarious. Okay; maybe they wouldn’t say either of those things unprovoked…or at all. But in my mind, those are the two compliments they are always ABOUT to share with me…before they get distracted by something else and forget .

4. How do you like to spend your spare time?

What is that? Spare time? Alas…should I ever find it again, I’d love to get back to writing.

5. What is your current obsession?

The Inheritance. I literally have no time for anything else. But once the show has come and gone, I love to spend summers outside…I love lounging in a pool, and enjoying R & R time. I love to find and read new plays, and I’m always on the lookout for some good Halloween décor. I track what’s playing in NYC, both on Broadway and Off…and I love reality television, or binding scripted shows.

6. What would people be surprised to find out about you?

If I told you, it wouldn’t be a surprise.

7. Can you share one of your most defining moments in life?

Seeing my sister’s high school production of The Diary of Anne Frank when I was six or seven. It ignited in me my love for live theatre. When I look back on my life, I think it was the very beginning moment of this whole journey.

8. Who do you admire most?

My mom was, no doubt, the most influential person on me. She passed away nearly 10 years ago, and I miss her everyday, and I can’t help but wonder what she would think of the work I’ve done over these years.

Lavonne Byers, Stephen Peirick and Laurell Stevenson in “Good People” at Stray Dog Theatre in 2022. Photo by John Lamb.

9. How were you affected by the pandemic years, and anything you would like to share about what got you through and any lesson learned during the isolation periods? Any reflections on how the arts were affected? And what it means to move forward?

I was just getting ready to return to the stage as an actor (after having taken a year off) when the pandemic hit. Like for everyone else, it caused so much disruption to projects I had in the pipeline. Most of them still got to happen, although after a long delay, including directing Fun Home with Take Two Productions, and playing Mike in Good People and Ned in The Normal Heart for Stay Dog Theatre.

The Normal Heart was my dream project, and had been since 2011, so the fear that it would never get to happen, and that the arts might never recover was real.

I think it’s important to go see and support live theatre as one’s schedule (and wallet) allows. Volunteer to usher, and post to the socials when you go see work. Help your friends and family see that it is safe to return to the theatre, and that good things are happening. (And masks are still welcome in any theatre you might want that added layer of protection.)


10. What is your favorite thing to do in St. Louis? (Or your hometown)

I love to be immersed in our local arts scene as much as possible. This month alone, I saw productions with Stray Dog Theatre, The Rep, Clayton Community Theatre, and St. Louis Shakespeare. I love hitting up restaurants (The Tavern is a favorite for special occasions), and spending time with friends and family.

12. What’s next?

Next up, I am directing the musical Merrily We Roll Along for Take Two Players. This dynamic and rarely produced musical is currently having an incredible run on Broadway. Running for two weekends in September and October, our cast features an incredible group of local talent, including Ryan Farmer, Grace Langford, and Michael Baird in the central roles of Frank, Mary and Charlie. www.taketwoproductions.org

Stephen Peirick and husband Jon Hey. Photo by Lynn Venhaus

More Information on Stephen Peirick
Birthplace: Franklin County, MO
Current location: St. Louis
Family: I am married to the incredible Jon Hey, and we have three cats: Kona, Poppy and George. I have four older sisters, three nephews, two nieces, two great nephews and two great nieces.
Education: BA in Communications/Theatre with a minor in Education
Day job: I have spent the last 15+ years working for a state association. I create our online newsletters, content for our socials, etc., and appreciate working for an organization that understands and supports my passion for the arts.
First job: I was a Ticket Taker at Six Flags when I was 15 years old.
First play or movie you were involved in or made: The first real, non-grade school Christmas play I did was a courtroom drama called The Night of January 16 when I was a freshman in high school.
Favorite jobs/roles/plays or work in your medium? Playing Ned Weeks in The Normal Heart at Stray Dog Theatre was such a dream; and seeing the premiere of my first, full-length play (in 2012 at West End Players Guild) Wake Up, Cameron Dobbs is something that I will never forget.
Dream job/opportunity: Taking Wake Up, Cameron Dobbs to New York maybe?
Awards/Honors/Achievements: I have been nominated for four St. Louis Theatre Circle Awards; two for acting (The Normal Heart and A Doll’s House) and two for writing (Wake Up, Cameron Dobbs and Four Sugars). I have also been nominated for our local, community theatre Arts for Life awards for directing, lighting design, choreography and scenic design (winning the latter for Fun Home with Take Two Productions).
Favorite quote/words to live by: Tell your story bravely. It’s a story worth telling.” – Morgan, The Inheritance
A song that makes you happy: I love 80s music. Here I Go Again by Whitesnake is a fave.

Stephen Peirick and Nicole Angeli in Stray Dog’s “Hedda Gabler” in 2017. Photo by John Lamb.
“Art” outdoors at Stray Dog, with Ben Ritchie and Jeremy Goldmeier in 2021. Photo by John Lamb