By Lynn Venhaus
Managing Editor
Voices are unleashed at the St. Louis Fringe Festival now underway in the Grand Arts Center.
Voices are soaring in the St. Louis premiere of “The Light in the Piazza” and Kurt Weill’s “Lost in the Stars.”
Voices are having fun in “Mamma Mia!”, “The Great American Trailer Park Musical” and “The Robber Bridegroom,” which all end their run this weekend.
Voices are questioning in a post-modern twist on Goethe’s “Faust (Go Down with All the Re$t),” Jean-Paul Sartre’s “No Exit,” the regional premiere of “King Charles III” and a comedy about online dating in “Maybe This Time.”
Go, hear these voices, see a play!

 “Faust (Go Down with All the Re$t)”
Equally Represented Arts (ERA Theatre)
Aug. 15-18
Foam
3359 S. Jefferson Ave. 63118www.eratheatre.org
What It’s About: How much is a soul worth? Based on Goethe’s most celebrated work, ERA’S experimental production, “Faust” (go down with all the re$t), is a post-modern, rock-opera-adaptation in which Heaven is the bank and everyone prays to the Almighty Dollar.
“Faust” is a full-length theatrical production created by ERA’s ensemble of theatre artists with text from Goethe’s “Faust,” Mikhail Bulgakov’s “The Master and Margarita” and contemporary television game shows. The script was created by the ensemble. The music was created by Kid Scientist.
Join us for this capitali$t tragedy with music, dancing, and drinking!
Directors: Lucy Cashion and Gabe Taylor
Cast: Will Bonfiglio as Mephistopheles, Miranda Jagels Félix as Dineras, Grace Langford: God & Margaret’s Mother, Alicen Moser as Margaret Dustin Sholtes, Gabe Taylor, Joe Taylor as Faust, composer and music director, and Erica Withrow: Dark Pearl the Magnificent.
Of Note: This is the first show of the “Faustival.” For more information, visit www.faustival.org.
“The Great American Trailer Park Musical”
Act Two Theater
Aug. 8 – 19
St. Peters Cultural Arts Center
1 St. Peters Centre Blvd.
St. Peters, MO 63376
https://www.acttwotheatre.com/…/the-great-american-trailer…/
What It’s About: A country-rock and blues musical about agoraphobia, adultery, ‘80s nostalgia, spray cheese, road kill, hysterical pregnancy, a broken electric chair, kleptomania, strippers, flan and disco.
Norbert and his agoraphobic wife Jeannie are living in Armadillo Acres when a hot young stripper Pippi moves in and threatens their marriage. Linoleum, Betty and Pickles also live in the trailer park and act like a Greek chorus.
Director: Brooke Viegut, with music direction by Karla Curry
Starring: Betty – Theresa Peters Nigus; Lin – Laura Deveney; Pickles – Abby Cockerham; Jeannie – Dana Wachtel; Norbert – Jeffrey Pruett; Pippi – Katy Leigh; Duke – Jack Theiling.
Photo by Lori Biehl
“King Charles III”
St. Louis Shakespeare
Aug. 17 – 26
The Ivory Theatre
7620 Michiganwww.stlshakespeare.org
314-361-5664
What It’s About: Mike Bartlett’s controversial 2014 play is “a future history” about what happens after Queen Elizabeth II dies, and the prince ascends to the throne after a lifetime of waiting. But how to rule? Who are these people beneath the crowns, the conscience of Britain’s most famous family and the unwritten rules of our democracy.
Director: Donna Northcutt
Of Note: This is the first production of St. Louis Shakespeare’s 34th season.
Photo by Ron James
“The Light in the Piazza”
R-S Theatrics
Fridays and Saturdays at 8 p.m., and Sundays at 7 p.m.
Aug. 10 – 26
The Marcelle Theatre
3310 Sam Shepard Drive
www.r-stheatrics.org
What It’s About: Winner of numerous Tony Awards in 2005, this musical tells the story of a young American woman vacationing with her mother in Florence in the 1950s. When the woman falls for a local Italian man, uncomfortable truths come to light about what was past and what may be future.”
Director: Christina Rios, with music direction by Sarah Nelson
Starring: Kay Martin Love as Margaret, Macia Noorman as Clara, Tielere Cheatem as Fabrizio, Stephanie Merritt as Franca, Micheal Lowe as Guiseppe, Kent Coffel as Signor Naccarelli, Jodi Stockton as Signora Naccarelli and Avery Smith as Young Clara.
Ensemble includes Robert Doyle, Lindy Elliott, Anthony Randle, Melissa Felps, Ann Heir, Chris Kernan, Jason Meyers and Louisa Wimmer.
Of Note: St. Louis premiere.
“Lost in the Stars”
Union Avenue Opera
Aug. 17 – 25
Friday and Saturday at 8 p.m.
Union Avenue Christian Church
733 Union at Enright.www.unionavenueopera.org
314-361-2881
What It’s About: Kurt Weill’s provocative work addresses the weighty moral issues of racism and injustice, more relevant now than ever in St. Louis. For his final Broadway score, Weill took “Cry, the Beloved Country” – a powerful, uncompromising social indictment of apartheid South Africa – and gave it a passionate voice.
Two aging men – a black country parson and a white British planter – are drawn into friendship by a shared grief. The parson’s faith is challenged by his son’s unintentional murder of the planter’s son, while the planter acquires faith through the loss of his son.
Director: Shaun Patrick Tubbs
Cast: Leader – Roderick George, Nita – Evan Adams*, Grace Kumalo – Jeanitta Perkins*, Stephen Kumalo – Kenneth Overton*, James Jarvis – Tim Schall*, Edward Jarvis – Charlie Mathis*, Arthur Jarvis – Stephen Peirick*, John Kumalo – Reginald Pierre*, Alex – Sherrod Murff*, Foreman – Ross Rubright, Mrs. Mkize – Rose Fischer, Hlabeni – Michael Hawkins, Mark Eland – Chuck Lavazzi*, Linda – Melody Wilson, Johannes Pafuri – Abraham Shaw*, Matthew Kumalo – Carl Overly, Jr.*, Absalom Kumalo – Myke Andrews*, Irina – Krysty Sawnn*, Burton – Anthony Heinemann and The Judge – Joel Rogier.
Ensemble – Evan Adams*, Sharifa Black*, Madeleine Buckley*, Erika Cockerham*, Laurel Ellison Dantas, Ebony Easter*, Rose Fischer, David Goldman*, Brittany Graham*, Michael Hawkins, Anthony Heinemann, Merry Keller, Lisa Khaimova*, Gina Malone, Randell McGee, Maika Miller*, Paul Herbert Pitts*, Joel Rogier, Ross Rubright, Mark Saunders, Moses Anthony Weathers* and Benjamin Worley*.
*Union Avenue Opera debut
Photo by John Lamb
“Maybe This Time”
Madden Productions
Aug. 17-19
Friday and Saturday at 8 p.m., Sunday at 2 p.m.
The Gaslight Theatre, 358 N. Boyle
www.brownpapertickets.com
What It’s About: The 90-minute play is about four online dates with good, bad, humorous and sad results.  You not only see and hear two people on a blind date, but you also see and hear what their brains are thinking. It shows how miscommunication and misunderstanding can lead to unexpected and unwarranted consequences.
Director: Pamela Reckamp
Cast: Mara Bollini, George Doerr IV, Carrie Priesmeyer, Paul James, Tonya Darabcsek and Todd Micali.
Of Note: Written and produced by Michael Madden.
“Mamma Mia!”
Stages St. Louis
July 20 – Aug. 19
Robert G. Reim Theatre at the Kirkwood Community Center, 111 S. Geyer Road.
www.stagesstlouis.org
What It’s About: The musical phenomenon uses the music of ABBA to tell the story of a teen’s search for her birth father. Sophie lives on a Greek island paradise with her mother, who runs a taverna. There are three possible dads, whom she invites to her wedding. Humor, heart, and lots o’ song and dance ensue.
Director: Michael Hamilton
Cast: Corinne Melancon, Greg Goodbrod, Dana Winkle, Dan’yelle Williamson, Summerisa Bell Stevens, David Sajewich, David Schmittou and Steve Isom
Of Note: There have been 30 sold-out performances and the advance single ticket sales have been the highest yet.
Photo by Peter Wochniak
““No Exit”
Slightly Askew Theatre Ensemble
Aug. 15 – Sept. 1
Wednesday through Saturday at 8 p.m.
The Chapel
6238 Alexander Drive
www.slightlyoff.org
What It’s About: Jean-Paul Sartre’s existential play “No Exit” is about three damned souls are brought to the same room in hell by a mysterious Valet. Expecting medieval torture devises to punish them for eternity, they are surprised by the deceptively simple and relatively ugly room. As they are all introduced, none of them will admit the reason for their damnation. But Inez demands that they all stop lying to themselves and confess to their crimes. The play is an exploration into the human psyche and the invisible wounds we are capable of inflicting upon others, and ourselves.
Director: Bess Moynihan
Cast: Rachel Tibbetts, Shane Signorino, Sarah Morris, Katy Keating
Of Note “No Exit” is the source of Sartre’s famous quotation ‘L’enfer, c’est les autres’ or “Hell Is Other People.”
Photo by Joey Rumpell
“The Robber Bridegroom”
Stray Dog Theatre
Aug. 2 – 18
Tower Grove Abbey
Thursdays through Saturdays at 8 p.m.
Additional performances at 2 p.m. Sunday, Aug. 12 and 8 p.m. Wednesday, Aug. 15
www.straydogtheatre.org
What It’s About: A bawdy, rousing Southern fairy tale is set in Mississippi follows Jamie Lockhart, a rascally robber of the woods, as he courts Rosamund, the sole daughter of the richest planter in the country. Thanks to a case of double-mistaken identity, the entangled relationship begins to unravel. Throw in an evil stepmother, her pea-brained henchman, and a hostile talking headin-a-trunk, and you have a rollicking country romp.
Director: Justin Been, with music direction by Jennifer Buchheit and choreography by Mike Hodges.
Starring: Phil Leveling, Dawn Schmid, Jeffrey Wright, Logan Willmore, Bryce Miller, Kevin O’Brien, Chris Ceradsky, Susie Lauren, Sarah Gene Dowling, Christen Ringhausen, Shannon Lampkin and Rachel Sexson.
Photo by John Lamb
 
St. Lou Fringe Festival
Aug. 15 – 26, Wednesday through Sunday
Grand Arts Centerwww.stlouisfringe.com
www.MetroTix.com
What It’s About: Original material – theater, dance, music, comedy, circus arts, performance art, cabaret and burlesque – are accepted for the annual festival. Tech is minimal and shows are often brief.
Fringe builds community by connecting uncensored, unjuried performing arts with accessible and affordable performances for audiences.
Here is the line-up Aug. 15 – 19. For dates and venues, visit www.stlouisfringe.com
“Any Man in America” – Declaration Stage Company
“Aphrodite’s Refugees” – MonTra Performance
“As We Stumble Along” – Desire Declyne
“Bae” – Prime
“The Bothered” – Rogue Theatre Company
“Broadway Favorites” – Debut Theater Company
“The Countdown” – Open House Theatre
“The Depths” – State of Clayton
“The Devil’s Passion” – Bankside Repertory
“Empathy on Sale” – Krish Mohan
“The Gringo” – Colin Healy/Fly North Music
“Intervals” – MillHill Productions
#MeToo, Her Voice Must be Heard” – Until You’ve Walked in Her Shoes Inc.
“Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond – The Midnight Company
“Pain” – Tony Marr Jr.
“Pollack” A Frequency Parable – Unconventional Empire
“The Vicious Hillbilly or Dating in the Deep South”
“Til the Cold Winter’s Through – because, why not?

By Lynn Venhaus
Managing Editor
Fields of green or inside stages? If you’re not watching pro golfers this weekend at Bellerive Country Club, you can be indoors watching theater, or outdoors catching the final show of the Muny Opera 100th anniversary season. Or you can do it all. Who said these are dog days? These shows are just the tickets for hot summer nights because they all sizzle!
GO SEE A PLAY!

“Faust (Go Down with All the Re$t)”
Equally Represented Arts (ERA Theatre)
Aug. 8, 10-11, 15-18
Foam
3359 S. Jefferson Ave. 63118www.eratheatre.org
What It’s About: How much is a soul worth? Based on Goethe’s most celebrated work, ERA’S experimental production, “Faust” (go down with all the re$t), is a post-modern, rock-opera-adaptation in which Heaven is the bank and everyone prays to the Almighty Dollar.
“Faust” is a full-length theatrical production created by ERA’s ensemble of theatre artists with text from Goethe’s Faust, Mikhail Bulgakov’s “The Master and Margarita” and contemporary television game shows. The script was created by the ensemble. The music was created by Kid Scientist.
Join us for this capitali$t tragedy with music, dancing, and drinking!
Directors: Lucy Cashion and Gabe Taylor
Starring: Will Bonfiglio as Mephistopheles, Miranda Jagels Félix as Dineras, Grace Langford: God & Margaret’s Mother, Alicen Moser as Margaret Dustin Sholtes, Gabe Taylor, Joe Taylor as Faust, composer and music director, and Erica Withrow: Dark Pearl the Magnificent.
Of Note: This is the first show of the “Faustival.” For more information, visit www.faustival.org.

“The Great American Trailer Park Musical”
Act Two Theater
Aug. 8 – 19
St. Peters Cultural Arts Center
1 St. Peters Centre Blvd.
St. Peters, MO 63376
https://www.acttwotheatre.com/…/the-great-american-trailer…/
What It’s About: A country-rock and blues musical about agoraphobia, adultery, ‘80s nostalgia, spray cheese, road kill, hysterical pregnancy, a broken electric chair, kleptomania, strippers, flan and disco.
Norbert and his agoraphobic wife Jeannie are living in Armadillo Acres when a hot young stripper Pippi moves in and threatens their marriage. Linoleum, Betty and Pickles also live in the trailer park and act like a Greek chorus.
Director: Brooke Viegut, with music direction by Karla Curry
Starring: Betty – Theresa Peters Nigus; Lin – Laura Deveney; Pickles – Abby Cockerham; Jeannie – Dana Wachtel; Norbert – Jeffrey Pruett; Pippi – Katy Leigh; Duke – Jack Theiling.
Photo by Lori Biehl“Into the Woods”
Curtain’s Up Theater Company
Aug. 3-4, 9-11 at 7:30 p.m.
Alfresco Art Center in Granite Citywww.curtainsuptheater.com
What It’s About: Stephen Sondheim’s 1987 musical is a modern twist on several Brothers Grimm fairy tales.
Director: Glenn Saltamachia, with music direction by Chuck Noud and choreography by Jeffrey Yapp-Ellis.
Starring: Liz Murphy White, Kimmie Kidd-Booker, Mark Lull, Kevin Hester, Kellen Green, Kendra Moore, Miranda Mobley, Hannah Lindsey, Alie Morgan, Jason McAdams, Sarah Ratcliff, David McCausland, Steve Anderson, Anna Campbell, Diane Wingerter, Denny Patterson and Natalie Kurz.
“The Light in the Piazza”
R-S Theatrics
Fridays and Saturdays at 8 p.m., and Sundays at 7 p.m.
Aug. 10 – 26
The Marcelle Theatre
www.r-stheatrics.org
What It’s About: Winner of numerous Tony Awards in 2005, this musical tells the story of a young American woman vacationing with her mother in Florence in the 1950s. When the woman falls for a local Italian man, uncomfortable truths come to light about what was past and what may be future.”
Director: Christina Rios, with music direction by Sarah Nelson
Starring: Kay Martin Love as Margaret, Macia Noorman as Clara, Tielere Cheatem as Fabrizio, Stephanie Merritt as Franca, Micheal Lowe as Guiseppe, Kent Coffel as Signor Naccarelli, Jodi Stockton as Signora Naccarelli and Avery Smith as Young Clara.
Ensemble includes Robert Doyle, Lindy Elliott, Anthony Randle, Melissa Felps, Ann Heir, Chris Kernan, Jason Meyers and Louisa Wimmer.
“Mamma Mia!”
Stages St. Louis
July 20 – Aug. 19
Robert G. Reim Theatre at the Kirkwood Community Center, 111 S. Geyer Road.
www.stagesstlouis.org
What It’s About: The musical phenomenon uses the music of ABBA to tell the story of a teen’s search for her birth father. Sophie lives on a Greek island paradise with her mother, who runs a taverna. There are three possible dads, whom she invites to her wedding. Humor, heart, and lots o’ song and dance ensue.
Director: Michael Hamilton
Cast: Corinne Melancon, Greg Goodbrod, Dana Winkle, Dan’yelle Williamson, Summerisa Bell Stevens, David Sajewich, David Schmittou and Steve Isom
Of Note: There have been 30 sold-out performances and the advance single ticket sales have been the highest yet.
Photo by Peter Wochniak
“Meet Me in St. Louis”
The Muny
Aug. 4 – 12 nightly at 8:15 p.m.www.muny.org
Tickets: MetroTix 314-534-1111
What It’s About: The heartwarming 1944 movie, “Meet Me in St. Louis” became a wholesome portrait of a turn-of-the-century American family which was turned into a stage musical. Sally Benson wrote the book based on her family who lived on Kensington Ave. It begins in the summer of 1903, when the Smiths eagerly await the grand opening of the 1904 World’s Fair in Forest Park.
Director: Marcia Milgrom Dodge, with music direction by Charlie Alterman and choreography by Josh Walden
Starring: Erin Dilly (Mrs. Anna Smith), Stephen R. Buntrock (Mr. Alonso Smith), Ken Page (Grandpa Prophater), Kathy Fitzgerald (Katie), Emily Walton (Esther Smith), Liana Hunt (Rose Smith), Dan DeLuca (John Truitt), Jonathan Burke (Lon Smith), Elle Wesley (Agnes Smith) and Elena Adams (Tootie Smith).
Ensemble includes Akilah Ayanna, Michael Baxter, Leah Berry, Shawn Bowers, Michael Burrell, Emma Gassett, Berklea Going, Madison Johnson, Jeff Jordan, Halle Morse, Ben Nordstrom, Commodore C. Primous III, Payton Pritchett, Cooper Stanton, Julia Paige Thorn and Brion Marquis Watson. The company will also be joined by the Muny Kid and Teen youth ensembles.
Of Note: This is the finale to the centennial season. This production will feature a revised book by Gordon Greenberg and new orchestrations by John McDaniel.
“Meeting at the Elder’s Circle”
JPEK Creativeworks
Thursday through Saturday at 8 p.m. and Sunday at 3 p.m.
Aug. 9 -12
Kranzberg Arts Center
501 N. Grand
www.metrotix.com.
What It’s About: A two-act inspirational comedy, that gives a satirical look on the issues reflecting religion and the church through drama, song and dance. The elders of Christian Tabernacle are gathering together for the Annual Usher’s Day. Coordinated by Sis. Martha Mooshae, she works diligently to assure the event’s success. As with every church, there’s always a tyrant in the fold who is Sis. Magalene Jefferies. She may be mean and unruly, but she “keeps it real.” Through the leadership of Pastor Moonshine, Christian Tabernacle defines a moment of truth that changes the hearts and minds of everyone. ‘The road to heaven doesn’t get shorter by pushing people away.”
“The Realistic Jones”
Rebel and Misfits Productions
July 26 – Aug. 12
Jewish Community Center black box theatre
2 Millstone Campus
www.rebelandmisfitsproductions.com
What It’s About: Will Eno connects two suburban couples who have so much more in common than their identical homes and their shared last names. As their relationships begin to irrevocably intertwine, the Joneses must decide between their idyllic fantasies and their imperfect realities and, ultimately, confront mortality.
Director: Edward M. Coffield
Cast: Isaiah DiLorenzo, Kelly Hummert, Alan Knoll and Laurie McConnell.
Of Note: It is the St. Louis premiere. It was named to the list of “Best 25 Plays Since ‘Angels in America’” by the New York Times.
Photo by Eric Woolsey
“The Robber Bridegroom”
Stray Dog Theatre
Aug. 2 – 18
Tower Grove Abbey
Thursdays through Saturdays at 8 p.m.
Additional performances at 2 p.m. Sunday, Aug. 12 and 8 p.m. Wednesday, Aug. 15
www.straydogtheatre.org
What It’s About: A bawdy, rousing Southern fairy tale is set in Mississippi follows Jamie Lockhart, a rascally robber of the woods, as he courts Rosamund, the sole daughter of the richest planter in the country. Thanks to a case of double-mistaken identity, the entangled relationship begins to unravel. Throw in an evil stepmother, her pea-brained henchman, and a hostile talking headin-a-trunk, and you have a rollicking country romp.
Director: Justin Been, with music direction by Jennifer Buchheit and choreography by Mike Hodges.
Starring: Phil Leveling, Dawn Schmid, Jeffrey Wright, Logan Willmore, Bryce Miller, Kevin O’Brien, Chris Ceradsky, Susie Lauren, Sarah Gene Dowling, Christen Ringhausen, Shannon Lampkin and Rachel Sexson.
Photo by John Lamb
Feature Image of Ben Nordstrom in “Meet Me in St. Louis”

By Lynn Venhaus
Managing Editor
Are you on holiday or having a stay-cation? Fit in a play or musical! Let the very talented theater community entertain you! Right here in St. Louis!
The Muny concludes its 100th anniversary season with “Meet Me in St. Louis.” St. Louis premieres of Verdi’s opera “Nabucco,” “The Realistic Joneses” and “Bengal Tiger at the Baghdad Zoo” continue this weekend.
Stray Dog Theatre opens the Southern romantic comedy musical “The Robber Bridegroom.”
Such popular musicals as “Mamma Mia!” “Legally Blonde: The Musical,” “The Music Man” and “Into the Woods” are on the boards.
Come sail away and GO SEE A PLAY.

“Bengal Tiger at the Baghdad Zoo”
The Black Mirror Theatre Company
Aug. 2-4
Kranzberg Arts Center
501 N. Grand in Grand Center
Home

Tickets: Metrotix.com or 314-534-1111
What It’s About: A tiger haunts the streets of present-day Baghdad seeking the meaning of life. As he witnesses the puzzling absurdities of war, the tiger encounters Americans and Iraqis who are searching for friendship, redemption and a toilet seat made of gold.
Director: Catherine Hopkins
Starring: Don McClendon, Brian Rolfe, Charles Winning, Laura Kyro, Kalen Riley, Erik Kuhn and Hailey Medrano.
Of Note: St. Louis premiere of Rajiv Joseph’s dark comedy set during the early stages of Operation Iraqi Freedom in 2003. It was a finalist for the Pulitzer Prize.
Submitted photo
“Gypsy”
The Muny
July 27 – Aug. 2 nightly at 8:15 p.m.
Muny outdoor stage in Forest Park
www.muny.org
What It’s About: Gypsy Rose Lee’s semi-autobiographical tale of an ambitious stage mother, Momma Rose, who fights for her two daughters’ success while secretly yearning for her own.
With a book by Arthur Laurents, lyrics by Stephen Sondheim and music by Jules Stein, the 1959 musical features such songs as “Everything’s Coming Up Roses,” “Together, Wherever We Go,” “Some People,” “Let Me Entertain You” and “You Gotta Have a Gimmick.”
Director: Rob Ruggiero, with music direction by James Moore and choreography by Ralph Perkins.
Starring: Beth Leavel (Rose), Adam Heller (Herbie), Julia Knitel (Louise), Hayley Podschun (Dainty June), Jennifer Cody (Tessie Tura/Miss Cratchitt), Ann Harada (Electra), Ellen Harvey (Mazeppa), Kip Niven (Pop /Cigar/Philadelphia Announcer), Drew Redington (Tulsa), Michael James Reed (Weber/Bourgeron-Cochon/Detroit Announcer), Lara Teeter (Uncle Jocko/Phil/Minsky’s Announcer), Elise Edwards (Baby Louise) and Amelie Lock (Baby June).
Of Note: This is the sixth production of “Gypsy” at the Muny, and the first one since 2006.
“Into the Woods”
Curtain’s Up Theater Company
Aug. 3-4, 9-11 at 7:30 p.m.
Alfresco Art Center in Granite Citywww.curtainsuptheater.com
What It’s About: Stephen Sondheim’s 1987 musical is a modern twist on several Brothers Grimm fairy tales.
Director: Glenn Saltamachia, with music direction by Chuck Noud and choreography by Jeffrey Yapp-Ellis.
Starring: Liz Murphy White, Kimmie Kidd-Booker, Mark Lull, Kevin Hester, Kellen Green, Kendra Moore, Miranda Mobley, Hannah Lindsey, Alie Morgan, Jason McAdams, Sarah Ratcliff, David McCausland, Steve Anderson, Anna Campbell, Diane Wingerter, Denny Patterson and Natalie Kurz.
“Legally Blonde: The Musical”
The Hawthorne Players
July 27 – Aug. 5
Florissant Civic Center Theatre at Parker and Waterfordwww.hawthorneplayers.info
Box Office 314-921-5678 Monday through Friday
What It’s About: Elle Woods’ life is turned upside down when her boyfriend Warner dumps her. Determined to get him back, Elle gets into Harvard Law School where he is at, but it’s a struggle with him, her peers and professors. With support of new friends, she realizes her potential and set out to prove her worth in the world.
Of Note: You can purchase raffle tickets to win Elle’s big pink chair! Tickets are on sale at performances, and t winning ticket will be drawn by Elle in a live Facebook broadcast after the show on Sunday, Aug. 5.
Proceeds will benefit the scholarship fund. Since 1992, Hawthorne Players has presented nearly $58,900 in scholarships to high school seniors active in the performing arts.
“Mamma Mia!”
Stages St. Louis
July 20 – Aug. 19
Robert G. Reim Theatre at the Kirkwood Community Center, 111 S. Geyer Road.
www.stagesstlouis.org
What It’s About: The musical phenomenon uses the music of ABBA to tell the story of a teen’s search for her birth father. Sophie lives on a Greek island paradise with her mother, who runs a taverna. There are three possible dads, whom she invites to her wedding. Humor, heart, and lots o’ song and dance ensue.
Director: Michael Hamilton
Cast: Corinne Melancon, Greg Goodbrod, Dana Winkle, Dan’yelle Williamson, Summerisa Bell Stevens, David Sajewich, David Schmittou and Steve Isom
Of Note: There are at least 18 sold-out performances and the advance single ticket sales have been the highest yet.
Photo by Peter Wochniak
“Meet Me in St. Louis”
The Muny
Aug. 4 – 12 nightly at 8:15 p.m.www.muny.org
Tickets: MetroTix 314-534-1111
What It’s About: Clang, clang, clang, went the trolley, and the heartwarming 1944 movie, “Meet Me in St. Louis,” became a wholesome portrait of a turn-of-the-century American family. Sally Benson wrote the book, based on her family who lived on Kensington. Set in the summer of 1903, the Smiths eagerly await the grand opening of the 1904 World’s Fair in Forest Park.
Director: Marcia Milgrom Dodge, with music direction by Charlie Alterman and choreography by Josh Walden
Starring: Erin Dilly (Mrs. Anna Smith), Stephen R. Buntrock (Mr. Alonso Smith), Ken Page (Grandpa Prophater), Kathy Fitzgerald (Katie), Emily Walton (Esther Smith), Liana Hunt (Rose Smith), Dan DeLuca (John Truitt), Jonathan Burke (Lon Smith), Elle Wesley (Agnes Smith) and Elena Adams (Tootie Smith).
Ensemble includes Akilah Ayanna, Michael Baxter, Leah Berry, Shawn Bowers, Michael Burrell, Emma Gassett, Berklea Going, Madison Johnson, Jeff Jordan, Halle Morse, Ben Nordstrom, Commodore C. Primous III, Payton Pritchett, Cooper Stanton, Julia Paige Thorn and Brion Marquis Watson. The company will also be joined by the Muny Kid and Teen youth ensembles.
Of Note: This is the finale to the centennial season. This production will feature a revised book by Gordon Greenberg and new orchestrations by John McDaniel.
“The Music Man”
Over Due Theatre Co
Aug. 3, 4 @ 7:30 p.m. and Aug. 5 at 2 p.m.
9723 Grandview Drive, Olivette M0 63132
Tickets: 314-292-9368 or email overduetheatre@gmail.com.
What It’s About: Oh, we got trouble, right here in River City. Con artist Harold Hill comes to small town in Iowa to swindle townsfolk into thinking their kids will be in a big brass band. But he falls in love with prim librarian and changes his tune. Sorta.
 
 
“Nabucco”
Union Avenue Opera
Aug. 3-4
Friday and Saturday at 8 p.m.
Union Avenue Christian Church
733 Union at Enrightwww.unionavenueopera.org
314-361-2881
What It’s About Verdi’s “Nabucco” is an epic Biblical tale. Nabucco, King of Babylon, seizes control of Jerusalem in his war with the Israelites. Meanwhile, his daughter Fenena and her half-sister Abigaille are both in love with Ismaele, the nephew of the King of Jerusalem. War rages on between Babylon and Jerusalem. Abigaille, thinking to stop the warring once and for all, tells Ismaele that she wills save his people if he vows to love her and not Fenena. When he denies her, Abigaille ruthlessly plans to take down the kingdom, claim Nabucco’s throne, and kill all the imprisoned Israelites.
Director: Mark Freiman
Starring: Robert Garner as Nabucco, Marsha Thompson as Abigaille, Melody Wilson as Fenena, Zachary James as Zaccaria, Jesse Donner as Ismaele, Karen Kanakis as Anna, Clark Sturdevant as Abdallo, and Jacob Lassetter as High Priest of Baal.
Ensemble – Douglas Allebach, Madeline Black, Aleksandar Dragojevic, David Fournie, Jon Garrett, Rebecca Hetlelid, Michael Hawkins, Emily Heyl, Jeffrey Heyl, Lori Hoffman, Hannah Kauffmann, Amy Mazzeo, Jayde Mitchell, Joel Rogier, Tina Sayers and Caetlyn Van Bure.
Of Note: The opera is sung in Italian with English titles. Not since Wagner’s Ring cycle has Union Avenue Opera presented a show with such epic splendor. It features some of Verdi’s grandest orchestral and choral music ever written, including the soul-stirring “Va, pensiero” chorus.
Photo by John Lamb
“The Realistic Jones”
Rebel and Misfits Productions
July 26 – Aug. 12
Jewish Community Center black box theatre
2 Millstone Campuswww.rebelandmisfitsproductions.com
What It’s About: Will Eno connects two suburban couples who have so much more in common than their identical homes and their shared last names. As their relationships begin to irrevocably intertwine, the Joneses must decide between their idyllic fantasies and their imperfect realities and, ultimately, confront mortality.
Director: Edward M. Coffield
Cast: Isaiah DiLorenzo, Kelly Hummert, Alan Knoll and Laurie McConnell.
Of Note: It is the St. Louis premiere. It was named to the list of “Best 25 Plays Since ‘Angels in America’” by the New York Times.
Photo by Eric Woolsey
 
“The Robber Bridegroom”
Stray Dog Theatre
Aug. 2 – 18
Tower Grove Abbey
Thursdays through Saturdays at 8 p.m.
Additional performances at 2 p.m. Sunday, Aug. 12 and 8 p.m. Wednesday, Aug. 15www.straydogtheatre.org
What It’s About: A bawdy, rousing Southern fairy tale is set in Mississippi follows Jamie Lockhart, a rascally robber of the woods, as he courts Rosamund, the sole daughter of the richest planter in the country. Thanks to a case of double-mistaken identity, the entangled relationship begins to unravel. Throw in an evil stepmother, her pea-brained henchman, and a hostile talking headin-a-trunk, and you have a rollicking country romp.
Director: Justin Been, with music direction by Jennifer Buchheit and choreography by Mike Hodges.
Starring: Phil Leveling, Dawn Schmid, Jeffrey Wright, Logan Willmore, Bryce Miller, Kevin O’Brien, Chris Ceradsky, Susie Lauren, Sarah Gene Dowling, Christen Ringhausen, Shannon Lampkin and Rachel Sexson.
 

By Lynn Venhaus
Managing Editor
It might be July, but actor Ryan Cooper is thinking Christmas. And Halloween. Well, he’s an accomplished performer at any time of year, but it’s during those holiday seasons where he really shines.
For the upcoming season of St. Charles Christmas Traditions, he will return to his blue-lipped, blue-clad jester-like character Jack Frost for the 13th year.
He auditioned for the first four or so years, but now is contracted for the part.

“One of the perks of longevity is that many of the old-timers that have been the same role for a number of seasons get to return to our holiday alter-egos without the audition process,” he said. “But I’m just a baby in the whole scheme of things. We have cast members that have been involved in the festival for 20 years.”

St. Charles Christmas Traditions involves 80 characters who make the season bright, along with many special activities, along the town’s historic Main Street. Hours are Wednesdays, Fridays, Saturdays and Sundays from the day after Thanksgiving through Christmas Eve, Nov. 23 – Dec. 24.
Two years ago, Ryan created the sister festival for the Halloween season called Legends and Lanterns.
“It celebrates Halloween by looking at the origins of the customs associated with the holiday. We have interactive villains from history and folklore — Lizzie Borden, the Big Bad Wolf, Medusa, and so forth, a Victorian mourning museum, and many other fun attractions and activities,” he said.
He also participates in the annual Voices of Valhalla event at Valhalla Cemetery in north St. Louis County, where narrated hayrides travel the grounds and actors portray some of the noteworthy individuals who reside there.
“It is a really wonderful event. Larry Marsh does all of the research and writes the scripts, and has such a talent for finding the most fascinating characters to portray,” he said. “We recently did ‘Echoes of Valhalla,’ a one-night ‘greatest hits’ of some of the most memorable characters from over the years, onstage at the Florissant Civic Center theatre.”
Ryan is truly a man of many hats.
This summer, Ryan starred in “Madagascar: A Musical Adventure” for Stages’ Theatre for Young Audiences. He played Zeke, King Julien, Mason and Foosa. It’s his third year in the children’s musical, having played the Mad Hatter in “Alice in Wonderland” and the Cat in the Hat in “Seussical.”
“I absolutely adore working with Stages. I pinch myself every time I get to do a show with them, because I have been such a big fan of the company since I saw my first Stages’ show in 2005 – “Man of La Mancha.” It is incredible the amount of love and dedication the staff puts into their theatre for young audience shows, just as they would for any of their mainstage productions. It is a joy to be a part of,” he said.
He particularly likes performing theater for youngsters.
“There is just something so special about doing shows for families and young audiences. There is always an electric energy. And knowing that there are people in the audience who are experiencing live theatre for the first time, and that I get to be a part of it is the cherry on top of the cake,” he said.
Another summer activity he enjoys is hosting the annual Best Performance Awards on the second Sunday in June, which is produced by non-profit organization Arts for Life. Awards for excellence in community and youth musical theater are presented.

In addition to an opening monologue and introducing presenters, Ryan inserts comic bits that are often sight gags and involving theater or familiar characters. He returned as master of ceremonies June 10 after taking a break last year. He had emceed in 2014 – 2016. Because he is so popular with the crowd, AFL has locked him in for the 20th awards in 2019.
As a teenager, Ryan began getting noticed in community musical theater, especially for being funny. He won three BPA awards for Best Performance by an Actor in a Comedic Role — as Bud Frump in “How to Succeed in Business Without Really Trying,” Carmen Ghia in “The Producers” and Hysterium in “A Funny Thing Happened on the Way to the Forum.”
“Hosting is such a sincere honor for me. This year before the show started, while I was getting ready, I thought back to how my first BPA ceremony I attended was in 2006, where I volunteered as an usher,” he said.
“So, to get to act as master of ceremonies was a surreal moment where I realized how lucky I am to get to be a part of this community. I don’t get the chance to be as directly involved with the wonderful community theatre scene like I once was, so to have Arts for Life as an opportunity to be with old and new friends that make up the vibrant and talented St. Louis theatre family is such a privilege.”
He had moved away in 2013, hired to work in the long-running Hoop-Dee-Doo Musical Revue and the short-lived Storybook Circle Giggle Gang shows at Disney World Resort in Orlando, Fla.
Upon his return, he was hired as a tour guide for the St. Louis Cardinals at Busch Stadium.
“It’s where I get to take on my biggest acting challenge — acting like I know anything at all about sports,” he said.
“Seriously, it’s great. I’ve been giving tours there for four and a half years, and even though I am not a sports guy, as a native St. Louisan, you grow up with at least a great admiration and appreciation for the history of the St. Louis Cardinals,” he said. “I am happy to share their stories and hear the stories of the people from around the world that I get to interact with every day. Plus, as a performer, I get to have a captive audience for an hour at a time while on tour — what’s not to love?”
In addition, he is a docent at the Holocaust Museum and Learning Center.
“So, between that, and getting ready for the third season of Legends & Lanterns, and my 13th season with Christmas Traditions, that’s what the rest of my 2018 looks like, and I wouldn’t have it any other way. I love it!” he said.

Here are Ryan Cooper’s answers to our questions:
Why did you choose your profession/pursue the arts?
I feel that it’s something that happened organically over time. I had done shows at school when I was younger and had always enjoyed them, but I think the real formative moment was when ‘The Producers’ came through the Fox on its first national tour. I was hooked, and said to myself, ‘that’s what I want to do.’ My poor mother had to put up with me marching around the house singing tunes from the show for months after that.
How would your friends describe you?
Ha! I think my friends would definitely describe me as quirky — though they assure me they mean it in an endearing way.
How do you like to spend your spare time?
I am crazy about going to museums. I love history and I love learning, so I try to go to every exhibit I can. History museums, science museums, art museums — I can’t get enough. A few years ago, I was vacationing in St. Petersburg, Fla., and my first stop was not to their beautiful beaches, but to the Florida Holocaust Museum. That about sums it up.
What is your current obsession? 
My current-yet-long-running obsession is all things Titanic. I’m a total nerd. When I traveled Ireland in 2009, I visited the final port where the ship was docked at, and did a one-man re-enactment of James Cameron’s epic three-hour film in 30 seconds — video proof of which I post on Facebook every April 10 for “Titanic anniversary week.”
What would people be surprised to find out about you?
Every spring, I travel over to the nation’s capital, where I give multi-day tours of Washington D.C. to school groups from around the country. A fascinating town — not to mention the abundance of excellent museums!
Can you share one of your most defining moments in life?
That would hands down have to be working for Walt Disney World in Orlando, Florida. I am a huge Disney fan, and used to go to the parks every year with my mom. I have wanted to work there since I was four, and in 2013, I was lucky to see that dream realized as I joined the casts of the long-running Hoop-Dee-Doo Musical Revue and short-lived Storybook Circus Giggle Gang shows. While I didn’t get to stick around for as long as I had hoped, it was a phenomenal experience, both personally and professionally. I got my Actors Equity card with “Hoop,” and for the first time, really experienced up-close the “business” side of show business — both the good and not-so-pretty parts. It’s an experience I treasure.
Who do you admire most?
Since I was in second grade, I have had an enormous admiration for Anne Frank. She has been an inspiration to me for my entire adult life, and her words have provided countless moments of peace and hope in times of need. I have a well-worn photo of her in my wallet that goes with me everywhere.
What is at the top of on your bucket list?
Speaking of Anne, the tippy-top of my bucket list is visiting the Anne Frank House in Amsterdam. I get goosebumps just thinking about it. I will for sure be there June 12, 2029 for her 100th birthday — but hope to get a visit in well before then.
What is your favorite thing to do in St. Louis?
Oh gosh! That is a tough one. I am crazy about this town and feel that there is still so much I’ve got to explore. With that being said, every time I go to Shaw’s Garden (Missouri Botanical), and it doesn’t matter how many hundreds of times I’ve gone, I am in awe. Now if only I could get my backyard to look that good!
What’s next?
I’ve recently dipped my toes in the water of being on the director/producer side of things. In 2016, I created “Legends & Lanterns: A ‘Spirited’ Journey Through Halloween History,” a festival that takes place along Historic Main Street in St. Charles and delves into the origins of our most beloved All Hallow’s Eve traditions, while allowing visitors to rub elbows with some of the most infamous villains in history and folklore. So, I’ll be back directing that this October, then on to my 13th season as Jack Frost for the “St. Charles Christmas Traditions” festival.
All About Ryan Cooper
Age: 28Birthplace: St. LouisCurrent Location: Unincorporated North St. Louis CountyFamily: Only child to my awesome “Mommie Dearest,” Cindy CooperEducation: Trinity Catholic High School, Fontbonne University (B.A. Performing Arts)Day Job: Tour Guide for the St. Louis Cardinals (among many other jobs)First Job: Jack Frost at St. Charles Christmas Traditions when I was 17.First Role: Royal Child #4 in Riverview Gardens High School’s “The King and I” in 1998Favorite Roles: So many! Including: Man in Chair (The Drowsy Chaperone), Bud Frump (How to Succeed…), and Thenardier (Les Miserables).Dream Role: This is a total cop-out answer, but I truly don’t have one — yet. I’m working on it.Awards: Three-time Arts for Life Best Performance Award winner for Bud Frump (How to Succeed), Hysterium (A Funny Thing Happened on the Way to the Forum), and Carmen Ghia (The Producers)Words to live by: “No individual has any right to come into this world and go out of it without having left behind distinct and legitimate reasons for having passed through it.” –George Washington CarverA song that makes you happy: “It Had to be You”

Photo Credits: AFL BPAs Gerry Love, Stages St. Louis, The Producers and St. Charles Christmas Traditions provided by Ryan Cooper, and featured image by Lynn Venhaus.

By Lynn Venhaus
Managing Editor
“Mamma Mia!” – take me away! Stages St. Louis’ high-spirited production is a ticket to pure escapism, a refreshing summer confection that’s a welcome respite from real-world troubles.
What makes this version of the jukebox musical irresistible is the intimate staging at the Robert G. Reim Theatre and an exuberant ensemble whose joy is infectious. Under Michael Hamilton’s animated direction, they are having such a blast that it’s easy to be drawn into their merrymaking. The joint was jumping!
Don’t think too hard about the story’s timeline or do any math about the ages – for this fantasy is critic-proof and one must suspend belief. For supreme enjoyment, be on board for mindless fun when you take your seat, and if you are not singing, dancing or clapping in time during the festive curtain call, check your pulse.
The 1999 smash hit, now the ninth longest-running Broadway musical of all-time, cleverly weaves 1970s hit songs by Swedish pop group ABBA into a lightweight romantic comedy about a former singer and her soon-to-be-married daughter. It may be far-fetched, but it works – hence, the global phenomenon.
Sophie, 20, is obsessed with the looming question of who’s her father, so she invites the maybe-dads Australian adventurer Bill, stuffed-shirt British banker Harry and divorced American architect Sam. They all show up. At the same time.

Donna Sheridan’s bandmates Tanya and Rosie, aka The Dynamos, also arrive at her Greek island taverna. This reunion combo leads to a splendid “Dancing Queen” and “Super Trooper,” and a sweet “Chiquitita,” with all three strong-voiced actresses Corinne Melancon (Donna), Dan’yelle Williamson (Rosie) and Dana Winkle (Tanya) in robust harmony.
Book writer Catherine Johnson has injected plenty of light-hearted humor into what ultimately is a heartwarming celebration of family, friends and women empowerment, all played out on a tiny slice of paradise.
In a fresh and dynamic way, the creative team has emphasized the everlasting charm that makes the show so popular, and the ensemble projects a carefree day-at-the-beach mentality. Stages’ has concentrated on the characters’ feelings, which aids the believability of their connections.
Tony Gonzalez’ buoyant choreography is a highlight, with “Lay All Your Love on Me” featuring a unique tap-dance in snorkeling fins that prompted hearty applause.
He maintained the effusive party atmosphere in “Voulez-Vous” and “Gimme Gimme Gimme,” where the chorus shines.
The technical elements came together in such a pleasurable way that it truly enhanced the experience.
Ah, the sun-drenched days and starry nights are beautifully captured by Sean M. Savoie’s lighting design, with James Wolk’s scenic design adding a moon that moves. The taverna’s balcony is a smart addition for a stressed-out Donna and wistful musical numbers.
Resident costume designer Brad Musgrove’s penchant for glitz gets a workout here, and the colorful eye-candy costumes pop. He outdoes fashion designer Bob Mackie for the razzle-dazzle finale, and noteworthy are the ensemble’s bright and flamboyant wedding attire. With the show set in 1999, I don’t think the outfits entirely reflected that period, but rather spotlighted a spirit of adventure.

The entire cast must be an integral component for this story to succeed, and this group is one of the finest I’ve seen. Music director Lisa Campbell Albert kept up a kicky pace for the singers, and oh, is it a tight chorus, not to mention the consummate professionalism of the principals. Stuart M. Elmore’s orchestral designs are on point.
I was surprised to find out that some patrons had never seen it before – and their joy of discovery was palpable. Fortunately, they experienced an outstanding show as their first time.
Corinne Melancon has become a versatile leading lady at Stages, capable of genuine conviction. She is an experienced Donna – she played the role as part of the 11 years she spent in the Broadway cast, and was also the other two Dynamos. She appeared to really love portraying this woman.
With all that experience, she could have coasted, but is fully engaged as a woman wrestling with a lot of pent-up feelings and frustrations. She brings a gravitas to the single mom who is a struggling businesswoman too.
She excels in a well-staged “Money, Money, Money” and the title song, but knocks “The Winner Takes It All” out of the auditorium.
In a superb “S.O.S.,” she beautifully blends with Gregg Goodbrod’s Sam, the love-of-her-life she scorned in 1979. Goodbrod is a strong Sam in acting and his solo “Knowing Me, Knowing You.” Nice to see him back in St. Louis after playing J.J. in “The Unsinkable Molly Brown” last summer at The Muny.
As the sultry Tanya, statuesque Dana Winkle, who was recently in the national tour of the elegant “An American in Paris,” shows off her slick dance moves in a cheeky “Does Your Mother Know.”
In a departure from the character’s typically frumpy appearance, sassy Rosie is portrayed by striking Dan’yelle Williamson, memorable as Dolores in “Sister Act” two summers ago. She’s convincing as a fierce determined woman and playful in “Take a Chance of Me.”
But Summerisa Bell Stevens as wide-eyed innocent Sophie just might be this show’s secret weapon. She’s one of the best Sophies I have ever seen – a total package who projects an innate sunniness and intelligence. So terrific as Doralee in last year’s “9 to 5,” she practically glows in “I Have a Dream,” “Honey, Honey,” and “Thank You for the Music.”
At first, David Sajewich seemed too old as Sky, but he and Stevens had so much chemistry, that it didn’t distract.
Reliable veterans Steve Isom and David Schmittou play Bill and Harry with their customary skill and crisp comic timing. They both nail their accents – Australian for Isom and British for Schmittou — and are admirably steady throughout, good sports in the dancing numbers.
The ensemble was noteworthy in the effective blacklight dream sequence “Under Attack,” which was thankfully not as silly as usual.
Of course, everyone does their part to raise the roof in the pull-out-all-the-stops finale, and when they come to “Waterloo,” no one wants this party to end.
I’m an unabashed fan of this musical – and it was my eighth time during the past 15 years. I compare it to the warm nostalgia of a “Gidget” movie from my youth. And yes, I cheerfully sang every word to “Dancing Queen” and “Mamma Mia!” at the curtain call – the audience is encouraged to do so (and I warned my neighbors to the right and left).
While it doesn’t matter if you have seen either the first or second movie, after viewing the just-released prequel-sequel, I did like that it shed more light on the backstory and motivations, so I thought of those things while watching this original show that sparked it all.
“Mamma Mia!” has sincere sentiment and its whole lotta fun vibe uplifted everyone. This production is one I’m not going to forget.
Stages St. Louis presents “Mamma Mia!” from July 20 through Aug. 19 at the Robert G. Reim Theatre in the Kirkwood Community Center, 111 S. Geyer Ave. For more information or to purchase tickets, call 314-821-2407 or visit: www.stagesstlouis.org. At least 18 shows are sold-out.Photos by Peter Wochniak