By Lynn Venhaus
A modern re-imagining of Ang Lee’s first 1993 breakthrough film, “The Wedding Banquet” is a funny, charming queer family romantic comedy about personal growth, making a home, and your chosen family becoming your real family.

The story is about a gay man (Han-Gi Chan), hoping to stay in the U.S., proposes a green card marriage to a female friend (Kelly Marie Tran) in exchange for paying for her IVF treatment. However, things soon get complicated when his grandmother (Youn Yuh-Jung) surprises them with plans for an extravagant Korean wedding banquet.

It’s safe to say much of society has changed towards more acceptance of same-sex couples in the three decades since Lee and his screenwriter James Schamus imagined a green-card marriage between a gay bride and groom, noting marriage equality and LGBTQ rights achieved since 1993.

This remake has many things it wants to say through writer-director Andrew Ahn, who also teamed up with Shamus for this version. Ahn, an L.A. filmmaker whose previous film “Fire Island” also starred Bowen Yang, was a summer vacation rom com inspired by Jane Austen’s “Pride and Prejudice.”

Bowen Yang, Han Gi-Chun, Kelly Marie Tran, Lily Gladstone.

The cast is all aces-high, with Joan Chen, ‘Minari’ Oscar winner Youn Yuh-Jung, Oscar nominee Lily Gladstone, Emmy nominee Yang, Kelly Maria Tran and newcomer Ha Gi-Chan endearing characters you can relate to through a modern lens.

As the two same-sex couples, Tran, Gladstone, Yang and G-Chan nimbly play complicated Millennials and give us enough genuine emotion to make a connection.

Lee, the Taiwanese filmmaker who has won two Oscars for directing “Brokeback Mountain” and “The Life of Pi,” was considered a legitimate talent after his “The Wedding Banquet” was both Oscar-nominated and won the Golden Bear at the Berlin Film Festival, the first of his two (no one else has achieved that). It was also his first film to release theatrically in the U.S. (Fun fact: He has an undergraduate degree from University of Illinois).

Fast-forward 32 years, and the Ahn-Schamus American remake collaboration still concerns cultural friction and a sham marriage ceremony — only it’s South Korea and not Taiwan as the immigrants’ home country, they’ve shifted the action from New York City to Seattle, and they’ve increased the involved couples from one to two.

Bowen Yang, Han Gi-Chun,

Min (Gi-Chan) and Chris (Yang) have been in a five-year relationship and live in the garage of their good friends Angela (Tran) and Lee (Gladstone), who live in Lee’s family home. They would like a child and have tried IVF twice with Lee. Angela doesn’t want to carry the baby, for she has an overbearing mother (Chen), and she frets about what kind of parent she’d be. Chris and Angela became good friends in college.

Min has family money, but his grandmother Ja-Young (Yuh-Jung) is not happy with his reluctance to join the family business – a multinational corporation, and with his student visa about to expire, is making demands.

The pair hatch this scheme — Min will pay for the IVF again if Angela marries him, basically helping both couples — but it becomes more complicated when Min’s grandmother shows up.

As played by the wonderful character actress Youn Yuh-jung, who won an Oscar as the grandmother in “Minari,” Min’s grandmother Ja-Young steals every scene she’s in, and will also break your heart as she reveals confidences to her grandson. After all, Yuh-jung has five decades’ worth of film credits.

Kelly Marie Tran, Lily Gladstone

The characters could all easily have been one-note, but the performers provide unexpected layers, while also crowd-pleasing with broad laughs. OK, it may be cliché, but the scene where they “de-queer” the girls’ home is very funny, especially when Yang is shown taking down a framed Lilith Fair poster.

While one can easily predict “all’s well that ends well” after mishaps and complications arise, yet there are some sweet surprises that await.

“The Wedding Banquet” may have some clunky moments, awkward baggage, and appear not svelte enough in its execution, but one can feel its sincerity, its concern over Asian-American representation, and appreciate its lovable cast.

“The Wedding Banquet” is a 2025 romantic comedy directed by Andrew Ahn and starring Kelly Marie Tran, Lily Gladstone, Bowen Yang, Han Gi-Chun, Joan Chen and Youn Yuh-Jung. Its runtime is and it is rated R for language and some sexual material/nudity. It opened in theatres on April 18, became available on premium VOD May 13, and will stream on Paramount + beginning Sept. 8. Lynn’s Grade: B.

Kelly Marie Tran, Lily Gladstone, Han Gi-Chun, Bowen Yang.

By Lynn Venhaus
With all its sophisticated and dazzling, detailed animation, “Raya and the Last Dragon” demonstrates what computer-generated graphic images can accomplish. The next-level panoramas and sweeping vistas are stunning visuals by Disney Animation Studios.

An ancient civilization inhabits Kumandra, but warring factions have fractured the land into five desolate areas. Legend has it that one dragon lives and warrior Raya is determined to find it, hoping that unity can happen in the realm. But saving the world will take more than teamwork.

Yet, for all that technical advancement, the tone is not consistent, and the storytelling suffers because it is such a familiar Disney template: Be Yourself, Be Kind to Others, Fight for the Common Good, Strive to Live in Harmony with People Who Aren’t Like You and Appreciate Family.

Not that those aren’t lofty ideals, but with multiple directors and eight story contributors, there isn’t a singular vision pushing us into new territory.

As a champion of female empowerment stories, I liked the fierce Raya, a more evolved warrior princess in the mold of Mulan and Moana. 

As Raya, Kelly Marie Tran is the right blend of confidence and concern, grieving for what once was when her benevolent father Benja (Daniel Dae Kim) was alive.

Screenwriters Qui Nguyen and Adele Lim created a few characters strictly along for good humor: Tuk Tuk, a roly poly creature that Raya uses as a vehicle, which of course is voiced by Disney iron man Alan Tudyk; lovable lug Tong (Benedict Wong); plucky restaurateur Boun (Izaac Wang); and Little Noi (Thalia Tran), a precocious baby accompanied by a trio of curious monkeys.

But the conflict with friend-turned-enemy Namaari (Gemma Chan) seems forced, although the sword fights are well-staged.

While the voice cast is strong, the hands-down star is Awkwafina as the dragon Sisu, who can shift-shape into a female. She is glib and self-deprecating, like all good sidekicks are.

My issue with Sisu is she looks like a unicorn drawn by Lisa Frank on a ‘90s lunchbox. The silvery-blue dragon with the big Keane eyes seems out of place among the realistic animated adventures.

 That said, there is an emotional payoff that sums up the story neatly. However, this film is not intended for very young audience.

Us Again

If seeing it in a theater, don’t miss the accompanying vivacious animated short, “Us Again,” which is another home run from the Mouse House.

Director-writer Zach Parrish has created a vibrant cityscape for this delightful dance down memory lane. In this 7-minute short, an elderly couple rekindle their zest for life and each other, reverting to their youthful selves, as they dance through a big city on one magical rainy night.

World of Dance champions Keone and Mari Madrid are the choreographers/dancers in this animated musical fantasy and Pinar Toprak has composed a lively pulsating rhythm. The joy is palpable.

“Us Again” is set for debut on Disney Plus in June.

“Raya and the Last Dragon” is an animated adventure fantasy from Disney Animation Studios. It stars Awkwafina, Kelly Marie Tran, Daniel Dae Kim, Gemma Chan, Benedict Wong, Izaac Wang, Alan Tudyk. The run-time is 1 hour, 47 minutes, and the rating is PG for some violence, action and thematic elements. Lynn’s Grade: B. In theaters and as premier access on Disney Plus beginning March 5.