Samara Weaving Only Bright Spot in Action Thrill Ride ‘Eenie Meanie’

Samara Weaving Only Bright Spot in Action Thrill Ride ‘Eenie Meanie’

By Lynn Venhaus

“Eenie Meanie” is the latest Quentin Tarantino-Guy Ritchie wannabe that is derivative of “Baby Driver,” “Drive,” “Fast and Furious” franchise and other pedal to the metal adrenaline rush movies heavy on blood-splattered action and light on logic and depth.

First-time director Shawn Simmons has assembled a recognizable cast headed by charismatic Samara Weaving, but the rest of the characters woefully lack any thoughtful development and are not interesting enough to spend an entire film with – and the main conflict is repellent.

 It’s as if this cast is plopped straight into a B-movie heist plot without any indication if they are either the good or the bad guys, mostly idiots and all caricatures. And each actor seems to be in a different movie.

Weaving is Edie, nicknamed Eenie Meanie, first shown as a glum, nervous teen with awful parents, who later endured a harsh life of foster homes and has a criminal past as a getaway driver.

Samara Weaving and Karl Glusman in “Eenie Meanie”

She’s a very good driver, nevertheless. After the opening scene, depicting how irresponsibly foolish her parents are (Steve Zahn, Chelsey Crisp), the film fasts forward to 14 years later.

Now a single bank clerk going to community college, her roommate is a longtime supportive friend Baby Girl (Kyanna Simone). Edie, spinning her wheels, has a loser boyfriend, among other tough-life dramas. Therefore, given choices, she usually goes with the wrong one.

John, the dippy bad luck-magnet boyfriend, is played by Karl Glusman. They are on-again, off-again, and she’d be much better off without him, because all indications are he’s a Bad Idea.

Gusman, part of ensemble casts in “The Bikeriders,” “Civil War,” and “Greyhound,” among others, tries to make John have some redeeming qualities, but the part is a screw-up, so…

He has screwed up a casino heist scheme by her old boss Nico (Andy Garcia wasted in tough-guy mode). Reluctantly, it’s Edie to the rescue – because she is always cleaning up everyone’s messes.

Marshawn Lynch is a getaway driver, so is Samara Weaving in “Eenie Meanie.”

She finds out she is pregnant, compounding the situation, so she helps the doofus avoid getting beaten to a pulp.  They take off on the run, squealing tires in zippy car chases where they mostly escape danger that keeps popping up.

The couple, who have some interesting exchanges, click on screen as they are pursued by an assortment of cliched quirky characters that are standard in these types of films.

Because of that, the screenplay is less thrilling because it’s a cluttered, clustered mishmash. Is she destined not to get anything she wants in life? That’s very sad.

Her new path is on hold while she deals with these peculiar, mostly unsavory, people. They are all in a never-ending toxic cycle – and why should we care? You feel for Edie because life has given her a big bag of lemons, and she can’t seem to make lemonade, no matter how hard she tries.

Randall Park is misused in a brief, persnickety role, while ex-pro running back Marshawn Lynch appears in a flashier but tiny part as another driver for Nico.  

Hopefully, Weaving will have a better choice of roles in her future. Without a fresh spin, “Eenie Meanie” can’t rise above its hackneyed plot and trite characters, unable to cross the finish line.

“Eenie Meanie” is a 2025 action-crime thriller directed by Shawn Simmons and starring Samara Weaving, Karl Glusman, Andy Garcia, Marshawn Lynch, Jermaine Fowler, Kyanna Simone, Steve Zahn, Chelsey Crisp, and Randall Park. It is rated R for violence/bloody images, pervasive language, nudity, some sexual material and brief drug use, and run time is 1 hour, 46 minutes. It started streaming on Hulu Aug. 22. Lynn’s Grade: C-.

‘Coming 2 America’ Is A Passable Reunion

‘Coming 2 America’ Is A Passable Reunion

By Alex McPherson

“Coming 2 America” is an enjoyable sequel that fails to match the charm and creativity of the 1988 original. 

In the fictional country of Zamunda, Prince Akeem Joffer (Eddie Murphy) lives comfortably with his wife, Lisa (Shari Headley), and their three daughters, one of whom (played by KiKi Layne) is more than worthy to assume leadership. Per Zamundan law, none of the Joffers’ daughters can become heirs to the throne, which creates a dilemma when Akeem’s father, King Jaffe Joffer (James Earl Jones), falls deathly ill. 

In a morally troubling revelation, a prophet reveals that Akeem actually has a male child… in America! Turns out, during his quest for romance all those years ago, Akeem was drugged and taken advantage of by Mary Junson (Leslie Jones), who later gave birth to their son, Lavelle (Jermaine Fowler). Upon learning this, Akeem travels with his pal, Semmi (Arsenio Hall), to find Lavelle and bring him to Zamunda to become a prince. Meanwhile, General Izzi (Wesley Snipes), the vicious leader of neighboring country called Nextdooria, shows up as a threat to Akeem and Zamunda generally. 

  Director Craig Brewer provides a heartwarming, irreverent trip down memory lane with moments of brilliance here and there, along with a strong sense of déjà vu. Even so, “Coming 2 America” still proves amusing from start to finish, largely thanks to the cast of returning faces.

When the film makes direct callbacks to the previous installment, it succeeds in spades. The dynamic between Akeem and Semmi is as watchable as ever, although they aren’t exactly the protagonists anymore. It’s a pleasure spending time in the iconic barbershop once again as well, with multiple people played by both Murphy and Hall simultaneously. Additionally, flamboyant dance sequences make a welcome return, although I wish their out-there style had extended to other departments. Indeed, overlooking its nostalgic appeal, there’s a disappointing lack of inspiration in “Coming 2 America,” which resorts to predictable, shallow storytelling throughout.

  Akeem, portrayed by Murphy in top form, remains likable, but comes across as more irritating than endearing this time around. Akeem is stubbornly resistant to cultural change in Zamunda — eager to make Lavelle a Prince whether or not Lavelle wants to. Before too long, though, he is sidelined, and Lavelle takes center stage until the film’s clunky final act.

In trying to tell a different kind of fish-out-of-water story, most of “Coming 2 America” revolves around Lavelle’s experiences in Zamunda. Perhaps the film should have been titled “Coming 2 Zamunda?” The initial thrill of his new lifestyle is replaced with feelings of discomfort and entrapment. Unfortunately, Lavelle displays little of Akeem’s personality or charisma. A street-savvy millennial, he finds pleasure in embracing the royal lifestyle of Zamunda, but lacks depth and intelligence — spouting numerous pop-culture-heavy jokes that only land about half of the time. 

There are, admittedly, some funny sequences involving Lavelle’s princely trials, such as a challenge involving a neighborhood lion. Most of his screen time later on, though, is devoted to a sappy romance with his hairdresser, Mirembe (Nomzamo Mbatha), which provides few surprises and recycles a central theme from the first film.

The rest of the new arrivals are solid enough, but they aren’t fleshed out in any meaningful way. Jones deploys her usual brand of in-your-face raunch as Lavelle’s mother, and Tracy Morgan does what he can with an underutilized role as Lavelle’s Uncle Reem. Snipes gives a scene-stealing turn as General Izzi, an exuberant performance that fits in perfectly with the wacky characters from “Coming to America.” There are also a couple of celebrity cameos that I won’t spoil here.

Despite its missed opportunity to tell a more memorable story and stand out from its predecessor, “Coming 2 America” should entertain fans of the franchise and newcomers alike. For all my criticisms, I nevertheless had a smile on my face by the end credits.

“Coming 2 America” is a comedy sequel directed by Craig Brewer and starring Eddie Murphy, Wesley Snipes, Arsenio Hall, Jermaine Fowler, Shari Headley, James Earl Jones, Leslie Jones and Tracy Morgan. It is rated PG-13 for crude and sexual content, language and drug content. and its runtime is 1 hour, 50 minutes. Alex’s Grade: B. The movie is available on Amazon Prime beginning March 5.