By CB Adams “The past is never dead,” observed the novelist William Faulkner. “It's not even past.” That sentiment was certainly on extravagant view at...
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By Alex McPherson Inventively constructed yet saddled with an unwieldy plot, Nicholas D. Johnson and Will Merrick’s screenlife thriller “Missing” undercuts its strengths by appealing...
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By CB Adams In his recent review in New York magazine of the Metropolitan Opera’s production of “Fedora,” Justin Davidson snarked, “’Fedora is an opera...
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By Alex McPherson Silly, messy, yet filled with provocative ideas and starring an already classic antagonist, director Gerard Johnstone’s “M3GAN” is one of 2023’s first...
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By Lynn Venhaus A heart-tugging story about love, loss, life, and friendship, “A Man Called Otto” has much to say about seeing the world differently...
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By Alex McPherson Vulgar, shocking, but irresistible, Damien Chazelle’s “Babylon” is a toxic love letter to cinema that’s impossible to look away from, even in...
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By Lynn Venhaus The promising new direction of the Westport Playhouse as a live entertainment venue bodes well for the future, and the one-woman holiday...
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By Alex McPherson An exhausting film filled with compelling performances, director Darren Aronofsky’s “The Whale” exerts a vice-like grip throughout, reveling in both discomfort and...
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By Lynn VenhausBrendan Fraser is heartbreaking and haunting as a morbidly obese recluse with mental and physical health problems in the difficult-to-watch “The Whale." He's...
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